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The Who's 'Quadrophenia' still has a lot of kick

Original members Pete Townshend and Roger Daltry are touring with The Who. Credit: Mitch Schneider Organization

The Who

With: Vintage Trouble

When: 7: 30 p.m. Sunday

Admission: $39.50-$129.50

Where: Consol Energy Center, Uptown

Details: 800-745-3000; www.consolenergycenter.com

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By Alan Sculley
Wednesday, Nov. 7, 2012, 8:56 p.m.
 

When The Who chose to play its 1973 rock opera, “Quadrophenia,” in its entirety on this year's North American tour, it opened the group up to speculation that it's following the recent trend of bands doing tours based around a popular album from their back catalogs.

But guitarist Pete Townshend and singer Roger Daltrey say the reasons they're bringing “Quadrophenia” back to the concert stage (The Who also played the entire rock opera on a 1996-97 tour) are far more artistic.

“We've been trying to find something we could do together, Roger and I, for awhile,” Townshend said in a press conference. “We've gone off in slightly different directions. Roger's been working with a new band. I've been developing new music and writing a book about my life (the newly published ‘Who I Am'). So, we've really struggled to find something to do this time. In a sense, ‘Quadrophenia' for us this time was something we both felt we could get together on and look at again. … We've been anxious to work together before we drop dead.”

During a press conference, the two founding members of The Who fielded a wide-ranging set of questions, most of which related to “Quadrophenia” and its lasting impact on rock.

“Quadrophenia” tells the story of a boy named Jimmy Cooper, and his struggle to find his identity among friends and family, all set against that backdrop of early '60s Britain, when two cultures, the mods and the rockers, were clashing and battling for supremacy.

For his part, Daltrey feels “Quadrophenia” resonates today because its themes and backdrops are similar for the youth of today.

“What I find really interesting now — looking back on our lives, on our period, which is where we wrote it from — is how much of the historical significance of it and the events going on at the time are appropo completely to today … not exactly the same events, but the same situations, enormous change,” Daltrey said.

“What's great about doing it now is it's still a work in progress,” he said. “And I don't know how many years I'll be able to sing this music. My voice is great at the moment, so I'm just going to explore the possibilities.”

Touring “Quadrophenia” also makes sense because this outing — The Who's first tour in four years — was preceded by last year's release of a “Quadrophenia” box set and the release earlier this summer of a documentary film on the creation and making of the album, “The Who: Quadrophenia — Can You See the Real Me? The Story Behind the Album.”

Townshend said he views “Quadrophenia” as an important album for The Who in ways that go beyond its music. It also played a key role in reconnecting the group with its fans.

“In 1972-73, we had a really fantastic period of success, and what we needed was we needed to find our reflection in our fans,” the guitarist said. “And that's kind of what that (“Quadrophenia”) album came to be about. We just went into the studio, recorded the songs.

“The band was in peak condition, I have to say, as kind of a recording machine. The songs were good. Everything fell into place. The mix worked out very well. But looking back at it now, it's easy to see what was actually great about it was the fact that it actually allowed us ... we reconnected with our audience. I think we really did.

During the past decade, The Who has settled into a lineup of Townshend and Daltrey joined by drummer Zak Starkey and bassist Pino Palladino. For the current tour, they will be joined by guitarist Simon Townshend (Pete's brother) and three keyboardists, Frank Simes (also musical director), Chris Stainton and Loren Gold.

Townshend said the current band has given him something of a new lease on life within The Who. “I'm not saying what I do now is better than what I did then, but I do feel freer to explore (anew) what I did as a musician back then, but also to find new things,” he said.

Alan Sculley is a contributing writer for Trib Total Media.

 

 
 


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