'Winter Soldier' cool, but not major
The superhuman efforts director Joe Johnston made to persuade Chris Evans to re-enlist in the comic-book movie universe as “Captain America” pay more dividends in “Captain America: The Winter Soldier.”
Evans, that perfect specimen of American manhood, really sells the earnestness, the dry wit, the sense of duty and righteousness of the icon of American values that he represents in this sequel, even if Johnston isn't around to direct it.
There are clever ways the story folds back into the first “Captain America” film's world, great effects and a retro-future tech that is fascinating.
But “The Winter Soldier” lacks that lump-in-the-throat heart that Evans, Johnston and company brought to the first “Captain America.” The co-directors of “You, Me and Dupree,” Anthony Russo and Joe Russo, serve up a pretty generic sequel, with inconsequential villains and predictable flourishes.
From its quasi-fascist logo and overly imposing D.C. headquarters to the Stalin-esque uniform that Nick Fury (Samuel L. Jackson) sports, S.H.I.E.L.D. (“Strategic Hazard Intervention Espionage Logistics Directorate” in the comics) is plainly a multinational agency that's reaching beyond its “fight evil, protect Earth” mandate. Robert Redford plays Alexander Pierce, the fellow who lords over the directorate of this ever-burgeoning security empire.
Nick Fury barely has time to fret over the idea that “to build a really better world, sometimes that means you have to tear the old one down,” when he's attacked. The Captain, Steve Rogers (Evans), and Black Widow, Natasha Romanoff (Scarlett Johansson) set out to unravel this mystery, who the new menace is and what the enemy's masked “Winter Soldier” super-warrior has in his bag of tricks.
Johansson makes an apt, super-sexy sparring partner for the Captain.
The fights are spectacular combinations of digitally augmented stuntwork. Evans and Johansson make these shooting, strangling punch-outs cool.
“The Winter Soldier” has long, talky, dead stretches. It's emotionally flat, a lot closer to Evans' “Fantastic Four” films or the “Thor” sequel than it is to “Captain America: The First Avenger,” or “The Avengers.” It's OK for April, in other words, but not up to the higher standards of a Marvel summer blockbuster.
Roger Moore is a film critic for McClatchy-Tribune News Service.
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