'Abomination' creates a fascinating world
Don't be deceived by the title, “The Abomination.” There's nothing unreal about Jonathan Holt's excellent first mystery.
It's solidly based in present-day Venice, with two women protagonists, Capt. Kat Tapo of the Cabinieri and, an American, 2nd Lt. Holly Boland.
The “Abomination” is the washed-up body of a woman dressed in the robes of a Catholic priest — something that is viewed as desecration by the church. Don't get distracted by this murder; there's much more to come.
The third major player is Danieie Barbo, the creator of Carnivia, a worldwide online game based on Venice itself. Barbo, a reclusive genius who inherited a vast fortune but lives in his family's decaying Palazzo awaiting sentencing on hacking and pornography charges — charges that may not be true.
Tapo is assigned the job of discovering who the Abomination really was and what she was doing in clerical garb. Boland becomes swept into the hunt when it turns out the military and the CIA is involved. Barbo and Carnivia is a touchstone for finding the path to the bigger mysteries. Throw in the 1990s' Bosnian war, human trafficking, sex discrimination, the Catholic Church's views on women priests and drones, and you have a heady mixture for a first mystery.
Holt writes in a deft, engaging fashion. He's outstanding in sketching out his characters.
“An attractive young women, her face heavily made up, wearing a short black coat, galoshes, and apparently very little else, was hailing him (the detective at the crime scene) from the wooden walkway.
“You can't come through here,” he said automatically. “This is a crime scene.”
She dug an ID card out of her pocket and held it up. “Capitano Tapo, sir. I've been assigned to the case.”
But it's Carnivia that is fascinating. Besides being a reproduction of Venice, it also “uses encryption technology to keep its users anonymous. So, once you're inside Carnivia, your communications are safe. It's like having your own military-grade communications channel.” This is useful for many of the characters, both good and evil.
While the plot sometimes becomes too tangled for comfort, and the parts of the finale border on disbelief, there is something about “The Abomination” and Carnivia that is fascinating. Even if any of the three major characters don't return for the next two novels, the set-up is in place for future reading.
“The Abomination” leaves you hungry for more.
Tish Wells is a staff writer for the McClatchy Washington Bureau
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Reissue of book of album covers by Andy Warhol shows many sides of his art
- Review: Gayle Lunds’ ‘The Assassins’ has fast pace, many twists
- Stanton Heights poet Collins works to keep his words full of meaning
- Interest in people brings diversity to Pitt professor’s award-winning poetry
- Film critic revisits a lifetime at the movies
- Review: Karolina Waclawiak’s novel ‘The Invaders’ continues her fascination with being on the outside