Predictability compromises otherwise engaging 'Promised Land'
R for language; ★★½ stars (out of four)
“Promised Land” is an engaging and entertaining — if preachy — look at Big Energy and fracking — the land- and water-wrecking practice of drilling and pumping water and chemicals into the ground to extract natural gas from shale.
To Steve Butler (Matt Damon), a “consultant” who came from farm country himself, farming and the small farm town lifestyle are “delusional self-mythology” believed by simple people living in the past. His “money for nothing” offer — underground leases — is “the only way (embattled, indebted small farm owners) have to get back.”
He's just gotten the big promotion with Global Cross Power Solutions. But dropping into an Anytown, USA, named McKinley with his partner, Sue (Frances McDormand), is a sobering come down. Renting an ancient Bronco II and buying flannel at Rob's Guns, Groceries, Guitars & Gas won't be enough this time. It might be a one bar, one gas station town, but the locals are going to make him work for this.
Hal Holbrook is the high-school science teacher who has Googled “fracking.” And as willfully uninformed as some of his shortsighted, let's-cash-in neighbors might be, the teacher gets things called to a vote. Bribes to the local board of supervisors won't be enough.
To make matters worse, a slick “hippy environmentalist” (John Krasinski) shows up with posters of dead cows and poisoned farms. You almost start to feel sorry for the fracking folks as public opinion shifts.
Damon and Krasinski co-wrote the script, and they set up a war of wills — rivals trash-talking each other, both flirting with the cute age-appropriate schoolmarm (Rosemarie DeWitt). Who will win?
But we already know that, don't we? The movie is a stacked deck of cards. Back when they filmed “Other People's Money,” the idea was to surprise the audience by making both the populist side and the Big Business side of an argument compelling, rational and reasonable. Not here.
McKinley — the movie was filmed near Pittsburgh — really is dying. We see desperation in the eyes of the first farmer (Tim Guinee of TV's “Revolution”) we meet. Others, such as a rube played by Lucas Black, just envision dollar signs. But in either case, their way of living is going extinct. “Promised Land” pulls its punches in making that counter-argument.
Damon the Oscar-winning writer does something nobody else in Hollywood would — write a dumb character for Damon to play. Steve is blindsided by the old science teacher, humiliated and silenced in a way no sharp salesman would be. He's been working in this business for years and never let himself see the consequences of his actions?
Krasinski and Damon make well-matched romantic and moral rivals. McDormand's Sue is the flinty, no-nonsense sell-out who refuses to learn what Steve is finding out. DeWitt's performance is limited to flashing her pretty smile and biting her lip as she flirts. Director Gus Van Sant captures bucolic nature, lands the jokes and does well by the many friendly and unfriendly bar scenes.
But an evenly matched fight makes for more convincing conflict and better drama. And we needed to see a lot more conflict within Damon's character. You can't play “dumb” and “morally compromised” when you can't say “I'm a good guy” like you don't quite believe it.
• Wide release
— McClatchy-Tribune Newspapers
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Review: ‘A Most Violent Year’ speaks softly, carries much menace
- Review: Cotillard shines in Dardennes’ moving social drama
- Review: ‘Black or White’ finds dramatic promise in the grey areas of American race relations
- Review: A tired gimmick weakens thriller ‘Project Almanac’
- Review: Law can’t manage to keep ‘Black Sea’ afloat
- Pittsburgh-set ‘Me and Earl’ big at Sundance, gets distribution deal
- DVD reviews: ‘The Boxtrolls,’ ‘The Drop’ and ‘Lucy’
- DVD reviews: ‘The Judge,’ ‘Fury’ and ‘The Book of Life’
- ‘Let It Snow’ filming in Millvale