In 'Parker,' action star Statham steals the picture
By Connie Ogle
Published: Thursday, Jan. 24, 2013, 9:00 p.m.
“Parker” roars into a dull January and enlivens the movie landscape, and thank the action-movie gods because we needed a little something to wake us from our winter slumber.
Based on a novel in a series by Richard Stark, the alter ego of the late, great Donald E. Westlake, the film is basically a heist-and-payback movie. But it's made with such skill and smarts that it stands above such eye-rolling blow-'em-up fare as Arnold Schwarzenegger's “The Last Stand,” its main competition at the box office.
As played by the ever-stoic Jason Statham (the “Transporter” and “Expendables” films), Parker is more antihero than hero: He operates on the wrong side of the law, but he's got a complicated code of ethics.
He will steal - and steal quite unremorsefully - but only from people who can afford it, he says. If you stumble into one of the many crimes he commits, he won't hurt you as long as you do exactly what he tells you to do. He doesn't go looking to hurt innocents. But all bets are off if you don't follow directions, and woe unto anyone who dares to cheat him.
A double-cross is precisely what happens in the opening scenes of “Parker”: A crew carries out a daring robbery at the Ohio State Fair. The heist does not run smoothly - not all the thieves in this bunch are as detail-oriented as Parker - and after their escape, the second in command, the menacing Melander (Michael Chiklis of “The Shield” and “Vegas”), demands that Parker turn over his share of the profits to help finance the next job. “It's the score of a lifetime,” he tells Parker.
Like any sensible individual who hears those words, Parker is skeptical. So he refuses and gets shot, robbed and dumped at the side of the road for his trouble.
The rest of the movie follows what happens when Parker recovers and decides to get his money back from - and revenge on - the guys who left him for dead. This requires him to figure out precisely what the next job is and where it's happening. The road to payback leads him to Palm Beach County, Fla., where the movie was partially filmed, and into the orbit of Leslie (Jennifer Lopez), a real estate agent dying for her first commission.
Directed by Taylor Hackford (“Ray,” “Proof of Life”), Parker is not without its absurdities. Melander is resourceful, but could he and his gang really commandeer a West Palm Beach fire truck? Patti Lupone goes a bit over the top as Lopez's super-ethnic mama, and Lopez gets stuck with a couple of unfortunate ditzy moments, courtesy of the script by John J. McLaughlin (“Hitchcock,” “Black Swan”).
But Statham, not always the most charismatic of actors, turns out to be a good choice to play the taciturn thief. He looks like the sort of guy who stands a good chance of getting out of any tight corner, even if his assailant is armed and he's not. Even the people who griped about Tom Cruise being cast as the towering Jack Reacher will have to admit Statham fits nicely in Parker's shoes.
Connie Ogle is a film critic for The Miami Herald.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- DVD reviews: ‘The Wolverine,’ ‘Mortal Instruments: City of Bones’ and ‘Drinking Buddies’
- DVD reviews: ‘The World’s End’ and ‘We’re the Millers’
- DVD reviews: ‘Jobs’ and ‘Red 2’
- Donald Sutherland brings the bad to ‘Catching Fire’
- ‘Darlings’ keeps alive page of Beat history
- ‘Philomena’ explores friendship, family, faith