Hansel & Gretel grow up with a grudge in 'Witch Hunters'
An R-rated horror action comedy fairytale - how's that for genre bending?
“Hansel & Gretel: Witch Hunters” is more Gatling guns and grenades than The Brothers Grimm. It takes the kidnapped kiddies into adulthood, where they've parlayed their fame at cooking a witch's goose into a business. Got a witch problem? Call H & G - the extermination experts.
High concept pitch or no, the movie doesn't really work. They were shooting for sort of a witch-hunting “Zombieland,” an f-bomb-riddled “Van Helsing” packed with comical anachronisms - a Bavarian forest past with witch trials, pump shotguns and primitive tasers, where bottles of milk have woodcut pictures of “missing children” on the labels.
Hansel (Jeremy Renner) and Gretel (Gemma Arterton) show up just as the village of Augsburg is about to burn a redhead. “Gingers” were a favorite target of witch hunters. Hansel shrugs this barbaric crime off, but Gretel insists that the locals need “evidence.” That puts them in conflict with the sheriff (Peter Stormare), who can't get a handle on their “witch plague” and the missing children who come with it. H & G have been hired to do what he cannot.
It isn't long after Hansel mutters “Anyplace we can get a drink in this hell hole?” that the siblings are on the job, chasing lesser witches in pursuit of the Great Witch, played by Famke Janssen as if the makeup is going to do all the acting for her.
And there may be troll involved.
“Trolls are extra,” Hansel growls, always watching their bottom line.
Hansel and Gretel have a groupie (Thomas Mann), and the woman Pihla Viitala) they saved from burning in the opening scene wants to repay the favor to Hansel, a repayment that involves skinny dipping. And when they're on the clock, they have all manner of clever gear to help them battle the wand-wielders - pistols, rifles, a semi-automatic crossbow, the aforementioned taser (hand-cranked).
Writer-director Tommy Wirkola focuses on the fights and flings all manner of viscera at the 3-D camera as limbs are whacked off and heads and torsos explode. Less attention was paid to the story, and the dialogue is a tad over-reliant on the random f-word to land a laugh.
The cleverest touch? Hansel's mania for candy-covered houses is what landed Hansel & Gretel in that witch's clutches, all those years ago. Now, he carries an ancient hypodermic needle and takes injections to ward off insulin shock.
The moral of the fairytale? Lay off the candy or a witch'll get you.
Roger Moore is a film critic for McClatchy-Tribune News Service.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- 2-Minute Film Festival at Carnegie Museum of Art covers all genres
- Jim Caviezel to be honored by Jimmy Stewart Museum
- Review: Lovely ‘A Little Chaos’ could have used a little more ... chaos
- Review: ‘Marie’s Story’ — a triumph that leads to tears
- Pittsburgh-shot ‘Me and Earl and the Dying Girl’ gets red-carpet welcome
- DVD reviews: ‘Get Hard,’ ‘The Gunman’ and ‘While We’re Young’
- Review: ‘Laurent’ barely cuts deep enough for real exam
- Review: ‘The Overnight’ swings into nuanced humor territory
- Alan Rickman happy to bring ‘A Little Chaos’ into his life