CMU Film Fest diverse in sites, subjects
By Michael Machosky
Published: Wednesday, March 20, 2013, 8:25 p.m.
Unsurprisingly, Carnegie Mellon University has a lot of unique and interesting cultural programming on campus for students.
What is surprising is that much of it is open to the public, at minimal cost.
The concerts and performances usually aren't publicized much off campus, but the 2013 Carnegie Mellon University International Film Festival is another story — many of its films are off-campus this year, at the Melwood Screening Room in Oakland.
This year's theme is “Faces of Media,” and explores how society is affected by the media and its ever-changing permutations.
The festival kicks off 7:15 p.m. March 21 with a new film by Oscar-winning auteur Michel Gondry (“Eternal Sunshine of the Spotless Mind”). “The We and the I” is about a group of teenagers who ride the same public bus to school, and how their relationships change on the final day of school. This will be at Melwood.
Other highlights include “InContact,” an Israeli-American film that examines themes of intimacy, social networking and reality TV.
This will screen at 7 p.m. March 23, also at Melwood. On April 3, there will be a screening of “Blood in the Mobile” about the minerals used to make cell phones, and the destructive “blood diamonds”-type reality of their mining in Africa. This screening will be at the McConomy Auditorium at CMU.
There will also be a tribute to filmmaker and CMU professor Paul Goodman at 7 p.m. March 22, at McConomy Auditorium.
The festival closes April 13 with “Back to the Square,” an investigation of the causes behind the “Arab Spring,” by Harvard philosophy professor and filmmaker Petr Lom. The screening will at 7 p.m. in the McConomy Auditorium.
Lom also will host a workshop on making human-rights documentaries at 5 p.m. April 15 at the Giant Eagle Auditorium at CMU.
Michael Machosky is a staff writer for Trib Total Media. He can be reached at email@example.com or 412-320-7901.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Shady Side Academy teens nab photo with Crowe
- Pittsburgh hotels cater to movie stars and crews
- Latest Russell Crowe movie is filming around Pittsburgh
- Oakmont library documentary screenings provide cultural dialogues
- Gillan plays with perceptions in ghostly thriller ‘Oculus’
- Review: ‘Heaven Is for Real’ has a relatable view of family issues