'Call Me Crazy' continues interwoven Lifetime film series
For Academy Award-winning actress Octavia Spencer and Golden Globe nominee Bryce Dallas Howard, who worked together on the hit 2011 film “The Help,” Lifetime's “Call Me Crazy: A Five Film” was a chance to collaborate again.
For Brittany Snow, “Call Me Crazy” was an opportunity to work with Spencer, Howard and other accomplished women including Jennifer Aniston — one of the project's executive producers — and Oscar winner Jennifer Hudson.
Still, the all-star ensemble cast isn't the only reason these actors have come together in “Call Me Crazy,” five interwoven stories that focus on mental illness and its impact on those it affects, their friends and families.
“Aside from the fact that I loved all the people involved as well as the message behind the film, this is very close to me. It's about something I felt I had some understanding of,” says Howard. She suffered what she calls “extreme clinical depression” after the birth of her first child in 2007. “Being part of something that will help to shed light on the nature of depression, bipolar disorder, schizophrenia or post-traumatic stress disorder,” says Howard, is “very moving to me.”
The film's message, in part, says Spencer, is that “mental illness is non-discriminant. It crosses all racial categories, all socioeconomic levels, all educational levels, all genders.
“I just thought it would be best to be part of something that would enlighten people,” Spencer says, “and show that people can live productive lives with medication and therapy.”
“Call Me Crazy” is a follow-up to Lifetime's 2011 original movie “Five,” whose cast included Patricia Clarkson, Rosario Dawson and Bob Newhart. With the focus on breast cancer, “Five,” like “Crazy,” told interconnected stories on a single subject. Directors of those five shorts included Aniston, Demi Moore and Alicia Keys.
Each of the “Call Me Crazy” stories is named for a character, with stars in front of and behind the cameras:
• “Lucy,” directed by Howard, stars Snow as a law-school student struggling with schizophrenia. Spencer is her psychotherapist, and Jason Ritter is a friend she meets after being institutionalized.
• “Grace,” directed by Laura Dern, stars Sarah Hyland (“Modern Family”) as a teenager whose mother (Melissa Leo) struggles with bipolar disorder.
• “Allison,” directed by Sharon Maguire (who directed “Bridget Jones's Diary”) continues Lucy's story as her younger sister, Allison (“Medium's” Sofia Vassilieva), resents the attention Lucy receives from their parents (Jean Smart and Richard Gilliland).
• “Eddie,” directed by Helen Hunt, stars Lea Thompson as Julia, whose husband Eddie (Mitch Rouse) struggles with depression.
• And “Maggie,” directed by Ashley Judd, stars Hudson as a war veteran struggling with post-traumatic stress disorder; Snow's Lucy also plays a key role.
“This film is so great because it's not a PSA telling you about what to do and what the signs are,” says Snow. “This is a film about people who are family and friends of ours, maybe even ourselves. It sheds some hope on a subject that isn't talked about much.”
The film's primary message, says Spencer, is enlightenment. “If we get one person to seek help. If we get one family to open their doors to a person who's afflicted and offer them solace and help, we've done our job.”
Carol Memmott is a staff writer for USA Today.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Jim Caviezel to be honored by Jimmy Stewart Museum
- DVD reviews: ‘Get Hard,’ ‘The Gunman’ and ‘While We’re Young’
- Review: Lotsa grinding, little plot in ‘Magic Mike XXL’
- Review: ‘Me and Earl and the Dying Girl’ is a sweet take on a teen weeper
- Review: ‘Felix and Meira’ no great surprise
- Review: A better-late-than-never ‘fashion icon’ takes a bow in ‘Iris’
- Review: ‘Max’ is touchy but clunky
- Review: ‘Terminator Genisys’ packs powerful punch
- Pittsburgh-shot ‘Me and Earl and the Dying Girl’ gets red-carpet welcome
- Review: ‘Wolfpack’ captures cultish parenting at its most controlling
- Review: Overstuffed plot spoils irreverent, silly ‘Ted 2’