'Ice Age' director labors eight years to get 'Epic' on the screen
By Roger Moore
Published: Sunday, May 26, 2013, 9:00 p.m.
All those years since “Ice Age” and “Robots,” you'd figure Chris Wedge had retired on the “Scrat” bucks he and Blue Sky Animation pulled in from that saber-toothed squirrel.
“Yeah, I'd have starved, like Scrat, if I'd done that,” he says, jokingly.
Wedge, like Scrat, had this one hard nut to crack. Wedge, 56, has spent years trying to get his latest film, “Epic,” based on the writings of children's author William Joyce, on the screen.
“To be honest, I've been in development hell. Not every day was like that, but it took four years just to get a green light to do it.”
You'd think a guy with his track record could write his own animation ticket. “Ice Age” earned more than $380 million, and spawned an animation franchise. “Robots” pulled in another $260 million. But “Epic” was a hard sell, and a difficult story to shape into a film.
“It's different from what people expect an animated film to be. I wanted to move beyond a character comedy with wisecracks. Studios say that comedy is what it takes for animation to cross over to the adult audience. I wanted something more akin to an adventure tale than some jokey yuk-it-up comedy.”
“The Leaf Men and the Brave Good Bugs,” the novel the film is based on, has warrior fairies protecting a forest. Wedge saw something like “Avatar” in it, concocting a film with leaf men battling bog creatures who long for a world of rot and decay.
In those intervening years, Joyce's novel “A Day With Wilbur Robinson” became Disney's “Meet the Robinsons,” and opened in theaters where it underperformed. Joyce's series of novels “The Guardians of Childhood” became “Rise of the Guardians,” and a low-water mark for DreamWorks Animation.
“You have to trust your idea,” Wedge says. “You work for years, in a vacuum, with no idea what environment your film is going to be released in. You don't know what other animators are doing, you're sealed off from their work. I've been making animation since I was 12. I trust my instincts that we're on to something special.”
And, as he shepherds his film across the opening weekend finish line, Wedge can be excused for feeling relieved. Early reviews are good, if not ecstatic — “Epic” is “not a crossover classic; this has enough wit and charm to entertain both big and little people,” said Britain's Empire Magazine. And the box office from overseas, where it opened last weekend, has been very good.
And, since animation is the one genre which seems to have a long, healthy shelf life on home video, Wedge refuses to worry.
“We create this world that is not culturally specific. The worlds of “Ice Age” or “Epic” don't have American haircuts, American slang, so they show overseas quite well. So they're timeless.”
Roger Moore is a movie critic for McClatchy-Tribune News Service.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Oakmont library documentary screenings provide cultural dialogues
- ‘Transcendence’ stuck in tropes
- ‘Skin’ has a lot going on underneath
- ‘The Chair’ documents the making of comedy films around Pittsburgh
- Jude Law struts his dark side in ‘Dom’