'Cleopatra' feted at 50 with restoration, Cannes gala, Blu-ray
There was the spectacle, the runaway budget, the fights with the studio. But almost everyone thinks about the 1963 movie “Cleopatra” for one thing: Liz and Dick.
Martin Landau remembers the day when he realized “Cleopatra” stars Elizabeth Taylor and Richard Burton were having an adulterous affair during the troubled production in Rome of Joseph L. Mankiewicz's 243-minute epic.
“There were days when we literally had 10,000 extras,” recalled Landau, who played Rufio, the loyal right-hand man to Julius Caesar (Rex Harrison) and Marc Antony (Burton). “They would come at 5 in the morning and be sprayed with makeup to darken them before they got into the costumes.”
But on this day, only Burton and Landau were scheduled to work. When Landau arrived at makeup at 7:30 in the morning, he was shocked to see Taylor, married to crooner Eddie Fisher at the time, relaxing in the room.
“I am sitting there looking in the mirror and Burton comes in in a half-tunic, goes to Elizabeth and kisses her on the forehead and then says ‘good morning' to me. I said to myself, ‘Oh, my God.' They had not gone to their respective homes that night. Around 11 a.m., Eddie Fisher shows up.” And 30 minutes later, Sybil Burton arrived.
“They came to see what happened to their spouses,” said Landau, who spent a year on the film. “Mankiewicz and I were rolling our eyeballs a little bit.”
Suddenly, “Liz and Dick” were everywhere in the press. Their affair was so scandalous the Vatican newspaper in an “open letter” harshly rebuked Taylor, who had been married four times, for “erotic vagrancy.”
Century Fox. Though it was the box-office champ of 1963, it took several years for it to make a profit. Still, F ox is pulling out all the stops for its 50th-anniversary celebration.
The digitally restored “Cleopatra” had a lavish screening and party last week at Cannes, followed with a re-release in 200 theaters. And on May 28, the Blu-ray arrives.
Despite all the problems on the production — Taylor nearly dying of pneumonia, changing the casts and directors, the firing of producer Walter Wanger, Darryl F. Zanuck ousting studio chief Spyros Skouras and taking over editing of the film — and decidedly mixed reviews, “Cleopatra” went on to receive nine Academy Award nominations, including best picture and lead actor for Harrison, winning for its stunning cinematography, special effects, art direction and costume design.
Hollywood's craftsmen — working long before the age of computer imagery — created monumental sets, especially in the scene in which Cleopatra arrives in Rome pulled by slaves riding a mammoth re-creation of the Sphinx.
“The movie is so beautiful to look at — the costumes and the production design,” says Schawn Belston, senior vice president of library and technical services at Fox, who was responsible for the restoration of “Cleopatra.” “But I can't think you can separate the experience of seeing the film (without) knowing at least about the scandal between the two lovers.”
“I think what happened is that the movie came out, and it was so overwhelmed by their relationship,” says Kate Burton, the actress daughter of Richard Burton. “It basically became ‘we are watching them fall in love for the first time.' ”
Even half a century later, the world is mesmerized by “Cleopatra,” as witness to last year's “Liz & Dick” Lifetime movie with Lindsay Lohan and Jess Walter's bestseller “Beautiful Ruins,” which revolves around a young American actress who becomes pregnant by Burton during the production of “Cleopatra.”
It wasn't the mystique surrounding Taylor and Burton that really interested Walter but the “train wreck” of the production.
“In my research,” says Walter, “this is where modern celebrity began — the Kardashians and the Lohans — you can trace it to this moment where a kind of Hollywood decadence reached a peak.”
Susan King is a staff writer for the Los Angeles Times.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Review: Smith, Robbie throw wet blanket into ‘Focus’
- Review: ‘What We Do in the Shadows’ is bloody good mockumentary fun
- Kickstarter funds would go toward great-niece’s film about Warhol
- Review: ‘Lazarus’ almost raises a whole film genre from the dead
- Museum offers Enigma encryption
- Oscar doesn’t go to Pittsburgh-favorite Keaton, but ‘Birdman’ soars
- DVD reviews: ‘Whiplash,’ ‘Big Hero 6’ and ‘Horrible Bosses 2’