'Way, Way Back' sits in summer's comfort zone
Some movies are just comfortable.
There's no better way to describe them. They're good but not necessarily great. But there's something about them, a familiarity, like the groove of a favorite old song, that makes you feel like you could watch them again and again.
That's true of “The Way, Way Back,” a movie that feels like a greatest-hits montage of summer coming-of-age films.
It's written and directed by Nat Faxon and Jim Rash, who also play small roles. They already have an Oscar for writing, with Alexander Payne, “The Descendants.” This film has a pretty-big-name cast, including Steve Carell, Sam Rockwell, Maya Rudolph and Allison Janney. But it's the lesser-known Liam James to whom Faxon and Rash entrust their movie, and he doesn't let them down.
First, however, an automobile lesson. The way, way back, for those who were never carted around in gargantuan station wagons, refers to the seat at the back of the car that actually faces out, toward the traffic behind you.
Duncan (James) is riding in the back, while his mom, Pam (Toni Collette) sleeps. Trent (Carell), the driver, asks Duncan where, on a scale of 1 to 10, he thinks he ranks. Duncan shrugs out a 6; Trent says he thinks more like a 3.
And that tells you a lot about what you need to know about Trent. He's a jerk, basically, who is dating Pam. The three of them, along with Steph (Zoe Levin), Trent's daughter, are heading to Trent's beach house for the summer in a town on Cape Cod.
Sounds great, right? That's because you're not considering this through the eyes of an awkward 14-year-old boy, something of an outcast, who doesn't fit in at home, much less in a place that's strange to him.
Strange to everyone, actually, to some degree. Steph openly scorns Duncan. Trent's neighbor, Betty (Janney) is a sloshy drunk, overly familiar (and very funny). Kip (Rob Corddry) and Joan (Amanda Peet), friends of Trent's, show up all the time, drink constantly, and the group of them generally behaves like obnoxious teenagers sneaking their first beers, only every single day of the summer.
The actual teenagers, at least, show some promise. Susanna (AnnaSophia Robb), Betty's daughter, is cute and friendly to Duncan, who doesn't really know how to handle the attention. But at least it's something.
Then Duncan discovers Water Wizz, a low-rent water park managed by the offbeat Owen (Rockwell). He's a bit of a loon, cracking wise, blowing off work whenever possible, to the consternation of his would-be girlfriend Caitlin (Rudolph). But he's also cool and gets what it's like to be Duncan in a way more elemental than the unlikable Trent ever could.
There will be job offers, misunderstandings, betrayals, breakdowns and the occasional kiss, both heartwarming and heartbreaking along the way. Again, it's well-mined territory. But what makes “The Way, Way Back” stand out, in addition to uniformly outstanding performances (Rockwell, as ever, is especially good, but so is Carell, playing against type) is Faxon and Rash's obvious familiarity with what Duncan is going through.
Bill Goodykoontz is the chief film critic for Gannett.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- ‘Me and Earl’ movie gets July release date
- Museum offers Enigma encryption
- DVD reviews: ‘Whiplash,’ ‘Big Hero 6’ and ‘Horrible Bosses 2’
- Review: ‘What We Do in the Shadows’ is bloody good mockumentary fun
- Kickstarter funds would go toward great-niece’s film about Warhol
- Review: ‘Lazarus’ almost raises a whole film genre from the dead
- Review: Smith, Robbie throw wet blanket into ‘Focus’
- Pittsburgh ties to the Oscars run deep
- Host Neil Patrick Harris would welcome a Kanye moment at the Oscars
- Review: ‘McFarland’ is feel good movie of February
- Review: ‘Timbuktu’ like a foreboding picture postcard