'Smurfs 2' will have adults feeling blue
Get yourself into a Smurfy frame of mind, hum a few notes of “The Smurf Song” and try to remember your cartoon-watching primary school years. Cross your fingers that actors Neil Patrick Harris, Hank Azaria, Jayma Mays and Brendan Gleeson will find something funny to do.
Never mind. Filled with Smurf wholesomeness, Smurf puns and posi-Smurf messages about never giving up “on family,” “The Smurfs 2” still sucks Smurfberries.
Gargamel the Smurf-hater is now a big-shot magician, filling venues around the world. But the wizard (Hank Azaria, who never lets us see the boredom) is running out of Smurf Essence for his shows. As he preps for his Paris Opera House debut, he conjures up a couple of Naughties (voiced by Christina Ricci and J.B. Smoove), who Smurf-nap Smurfette (Katy Perry) from Smurf Village. This is especially bad because she knows Papa Smurf's magic formula — and so, after a little enhanced interrogation by Gargamel and his digital cat (the movie's best effect), it could be “Smurf-a-geddon.”
“Oh, the Smurf-anity!”
That's unless Papa (the late Jonathan Winters) and his motley “B-team” ( voiced by George Lopez, Anton Yelchin and John Oliver) can stop them, with the help of their human friends, Patrick and Grace (Harris, Mays) and Patrick's clumsy, pushy stepdad (Gleeson).
There are five credited writers in this retread, and the best line sounds as though it was improvised by Lopez, as Grouchy Smurf: “Every time a Smurf toots, somebody smiles.”
Other quips are feebler (“I was Meryl Smurfing Streep in there!”), the animation passable, the special effects quite good and the 3-D utterly pointless. But if your tiny-tyke target audience has to see something, at least it's harmless.
And if Harris isn't getting better offers in between sitcom seasons and Tony Awards shows, and he's got to perform blue material to get by, he could do worse.
Roger Moore reviews movies for McClatchy-Tribune News Service.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Review: ‘St. Vincent’ serves up Bill Murray at his warmest, fuzziest
- DVD reviews: ‘Snowpiercer,’ ‘Life After Beth’ and ‘The Purge: Anarchy’
- Review: ‘Ouija’ puts the bored into board game movies
- Review: ‘Dear White People’ dishes satire to black, white alike
- Review: ‘John Wick’ burns bright with bloody action