REVIEW: This is 'Riddick'-ulous — Diesel and his digital dog
“Riddick,” a movie that might have been titled “A Diesel and his Digital Dingo Dog,” is built to mirror the signature traits of its star. Like Vin Diesel, it has bulk, lumbering clumsily along as it repeats Diesel's greatest hits — the ones that don't require him to drive a fast-and-furious car.
It's the third movie in Diesel's career-making “Pitch Black” (2000) trilogy, roughly — very roughly — picking up where 2004's “The Chronicles of Riddick” left off.
The human convict has been dumped and left for dead on a planet covered with desert and just enough water holes to survive. And it's all just a tad ... familiar.
Riddick narrates his saga, his new life on a place where “the whole damned planet wanted a piece of me.” Yeah, there are beastly birds and eels and scorpion-like monsters that come out when it rains.
Familiar. Except for the dogs, deep-space dingoes or hyenas, one of whom he befriends and trains to be his pal.
It's just him and the dog until he stumbles across a “mercenary post,” where he sends out a distress call, luring two competing teams of bounty hunters, which he can then pick off, one by one. Jordi Molla and Matt Nable are the feuding mercenary bosses who long to collect the price on Riddick's head — and only his head. But they aren't hearing Riddick's narration. He tries to warn them.
“It's always the punch you don't see coming that puts you down.”
Diesel is wholly engaged in the project, unlike the past few “Furious” pictures, where sleepwalking was allowed. He grimaces through Riddick's self-surgery, scowls as he fights various digital beasts and turns all David Caruso with Riddick's omnipresent sunglasses.
The supporting players are mainly here to be sadists, and the fetchingly brawny Katee Sackoff, as a lesbian mercenary aptly named “Dahl,” stands out in that crew.
But this is a slow, unexciting thriller lacking the edge-of-the-seat suspense of “Pitch Black.” The story arc — convict redeems himself by killing monsters and saving people — is the same, but there's no snap to it.
Roger Moore is a staff writer for McClatchy-Tribune News Service.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Reese Witherspoon: How a scandal saved her career
- ‘Foxcatcher’ filmmaker Miller drawn to odd story
- Review: Wallis, Jamie and Jay Z bring ‘Annie’ back to life
- DVD reviews: ‘This is Where I Leave You,’ ‘Teenage Mutant Ninja Turtles’ and ‘The Skeleton Twins’
- Tis the season: Holiday home video gift guide
- Review: Witherspoon loses her vanity and herself in ‘Wild’
- Jackson’s Middle-earth films changed Hollywood