'Don Jon' a modern lover in New Jersey
There's barely a wasted moment in Joseph Gordon-Levitt's hilarious and wise “Don Jon.” Well, as long as you don't consider a guy obsessively watching porn and doing what follows as “wasted.” The title character (Gordon-Levitt) certainly doesn't.
“ALL guys watch porn, every day,” he insists to one and all. But, as frenetically as he does?
“It's not that I can't stop. But why should I?”
That's fine when you're strutting through the bars with your buds (Rob Brown, Jeremy Luke), bagging and bragging about it. Then Jon, whose pals call him “The Don,” meets “a dime.”
Yeah, Barbara (Scarlett Johansson) is a “10” all right. But this Jersey girl has her eyes on the prize. Not Jon as he is, but Jon as he could be. She teases and tempts and grinds on him and has him enrolling in night school, rounding up his friends to meet her friends and trying to make his parents behave when they meet her.
“You don't think I could make you happy if I wanted to?” she purrs, and he's putty in her hands.
So, Jon faces his dilemma — giving up porn, or lying to Barbara, confessing his sins to the priest every week, doing his Hail Marys and “Lord's Prayer” recital during his reps at the gym and raging at the world from behind the wheel of his 1972 Chevelle,
Here's how tight this tale is: Gordon-Levitt wrote and directed this, and his spare script doesn't squander a single second at Jon's job (he's a bartender, apparently). His friends' names have to be parsed from a single reference, and we never hear the name of his always-silent, always-texting sister (Brie Larson), a great, deadpan sight gag.
Tony Danza is riotously funny as the sports-obsessed, foul-mouthed rage-aholic dad who lets us see the tree that Jon fell from. Glenne Headly lands lots of laughs as his Catholic, grandchildren-obsessed mother.
And Johansson, “Jersey Shore” twanging, gum-snapping temptation incarnate, gives the best performance of her career as a girl who just knows what she wants. Watching her turn it off and on is to see a starlet in full command of her talent and her other assets.
Gordon-Levitt wasn't content to just create a world not far from the “Jersey Shore” and people it with funny characters. His brisk, little comedy turns dark and deep in the third act. That's when the great Julianne Moore shows up as Esther, a funny, tragic and non-judgmental classmate of Jon's in night school.
Whatever Barbara promises to Jon if he cleans his act up, Esther is the one who might show this Don Juan that he's not in heaven, logging in for porn 10 times a day. He's in hell.
With “Don Jon,” a fun, short and sweet film, a third-act punch is so to-the-point it'll take your breath away.
Roger Moore is a film critic for McClatchy-Tribune News Service.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- DVD reviews: ‘Mad Max: Fury Road,’ ‘The D Train’ and ‘Good Kill’
- Review: ‘Z for Zachariah’ offers an intense look at need for human connection
- Review: ‘Mistress America’ charms with slick dialogue
- Review: ‘Before We Go’ has a real feel
- Review: ‘Transporter Refueled’ a fun ride — just don’t think too hard about it
- Check out trailers for Pittsburgh-shot ‘Concussion’ and ‘Love the Coopers’
- Review: Gralton’s rebellious story told in elegant ‘Jimmy’s Hall’
- IMAX film ‘Robots’ shows how special humans are