REVIEW: 'The Christmas Candle' never flickers to life
The lovely-looking but emotionally sterile “The Christmas Candle” is a pretty period-piece of a holiday fable that lacks only the wit, decent story and better dialogue that might have made it a classic.
This is the first Christmas film from faith-and-family media company EchoLight Studios, which former Sen. Rick Santorum heads.
Filmed in Gloucestershire, England, it's the tale of a village — Gladbury — that has held onto a tradition that says every 25 years, the local candle maker produces one batch that holds the magical candle that an angel ensures will grant the owner his or her heart's desire.
In a poor town where “the people are disheartened,” that's a nice thing to cling to — a little hope that being given this candle and told to “light this and pray,” grandpa's blindness will be cured, that missing goat or prodigal son will return by the end of Advent.
But that 200-year-old tradition is pooh-poohed by the new preacher, handsome Rev. David Richmond, played by Hans Matheson. There's no “magical, wish-granting angel,” he preaches. And the locals are appalled.
Rev. Richmond was recruited from the Salvation Army, so eventually he sees the need to at least replace the “miracle” with something else to cling to. As the townsfolk pass on their Christmas candle wishes to the candle-making Haddingtons (Lesley Manville, Sylvester McCoy), Rev. Richmond reads those wishes and attempts to make them come true.
“Be the miracle,” he advises his flock. Fix that roof, visit that lonely old lady.
But the reverend is harboring his own secret sadness. And there's a fellow skeptic, the lovely Emily Barstow (Samantha Barks of “Les Miserables”), who might be lured back to church by his good deeds. Even the caretakers of the church parsonage, played by James Cosmo and Susan Boyle — yes, that Susan Boyle, of “Britain's Got Talent” and viral video fame — could use a miracle.
Even moments with the potential for great charm manage only the tiniest drop of it.
Director John Stephenson's angel effect and miracle candle effects are well conceived. And the entire production is burnished to the point of handsome. He had the makings here of a “Masterpiece Theatre” Christmas production.
But neither he nor the screenwriters are able to turn Max Lucado's novel into anything more than pablum.
Roger Moore is a staff writer for McClatchy-Tribune News Service.