Live-action shorts have plenty to offer viewers, also
‘The Voorman Problem'
The film stars Martin Freeman, alias Bilbo Baggins, alias Dr. John Watson (opposite that Caldecott Bumbershoot fellow in PBS's “Sherlock”). In the British short “The Voorman Problem,” Freeman plays a psychologist dispatched to interview a prisoner who claims he is God. The warden needs certification to put him away. Problem? His fellow inmates have come to believe that the straitjacketed Voorman (Tom Hollander) is, indeed, who he claims to be.
‘Just Before Losing Everything'
The other exceptional entry among the five Academy Award nominees in the short-fiction field hails from France. “Just Before Losing Everything,” from actor-turned-director Xavier Legrand, offers an impossibly suspenseful 30 minutes of uncertainty and menace, as a woman (Léa Drucker) plots to flee her violent, abusive spouse, taking her young son (Miljan Chatelain) and teenage daughter (Mathilde Auneveux) along. The day begins in typical fashion, with the kids heading to school and the wife to her job at a large, chain store; it ends in anything but typical ways. Taking a cue from Michael Haneke, Legrand closes with an ambiguous final shot. Pay close attention to the cars in the traffic circle, and think about where this story may continue to go.
“Helium,” from Denmark, is an accomplished but sentimental story of a boy with a terminal illness and a newly hired hospital worker who comforts the dying child with stories of an afterlife, based on the boy's obsession with blimps and balloons. Cut to scenes of floating islands and crystal particles that light up at night.
‘Do I Have to Take Care of Everything?'
From Finland, Selma Vilhunen's one-joke (but extremely satisfying joke) “Do I Have to Take Care of Everything?” follows a husband and wife as they wake up late for a wedding, running through a series of comic mishaps as they try to make it to the church on time, pipsqueaks in tow. Never mind the dysfunctional family, this one is discombobulated. Hugely so.
‘That Wasn't Me'
Spanish director Esteban Crespo bites off more than he can chew in “That Wasn't Me,” a grim, gratuitous story about three European social workers caught up in an African conflict, where kids with automatic weapons are being trained to fight, and kill by a charismatic, sociopathic revolutionary. The sense of fear and finality experienced by the Spanish couple (Gustavo Salmerón, Alejandra Lorente) and their friend feels real enough, but the story's past/present narrative device and redemptive climax do not.
Steven Rea is a movie critic for The Philadelphia Inquirer.
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