'Winter's Tale' a bit too chilly for its own good
Mark Helprin's 30-year-old fantasy novel “Winter's Tale” saunters onto the screen as a lovely (but slow and emotionally austere) experience, a romantic weeper that shortchanges the romance and the tears.
They threw Oscar-winning screenwriter Akiva Goldsman (“A Beautiful Mind”) and a cast that includes three Oscar winners at this exercise in magical realism, and, yet, Helprin's bulky, honored book leaves them pinned to the mat, its big themes seemingly diminished by the time the credits roll.
Colin Farrell stars as Peter, an orphan and a thief who grows up to be a second-story man, which is how he meets the beautiful-but-sickly Beverly (Jessica Brown Findlay of “Downton Abbey”). She's dying of consumption; he's smitten. And since he's ridden this magical horse that has thrown Beverly into his path in 1916 New York, Peter figures he can save her.
The horse can fly, which is startling even to Peter, who knows the universe is a magical place and that people have magic in them, and that the horse has already saved him from his demon mentor, Pearly (Russell Crowe).
Pearly is a bloody lieutenant of no less than Lucifer, whose identity I won't spoil.
Peter may be just as doomed as his seemingly doomed new lady friend. Then again, in the opening scene, we've seen this early 20th century man walking the streets, confused and bearded, in 2014 Manhattan. Sometimes, “the universe reaches down and helps us find our destiny,” and so it is with Peter. Perhaps Jennifer Connelly, a modern-day newspaper food editor, can help him puzzle it out.
Goldsman rendered “Winter's” into a tale of fine scenes with decent performances, but a story that probably won't please fans of the book and will leave those who don't know the book scratching their heads.
Young Ms. Findlay is one of those Hollywood Healthy consumptives, in the pink and playing a character whose constant fever means she goes barefoot in the snow and sleeps in tents even on the coldest nights.
“I'm 21, and I've never been kissed on the mouth,” she complains, which the thief she's just met sets out to rectify.
William Hurt is Beverly's newspaper editor father.
Goldsman never lets the film lean on its effects, but the tone of the fantasy and the romance of it all evades him. “Winter's Tale” has no narrative drive and too little heart to not leave some viewers cold.
Roger Moore is a film critic for McClatchy-Tribune News Service.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Review: ‘Leviathan’ carries huge weight of deep dread
- Review: Second ‘Hotel’ visit isn’t nearly as ‘Exotic’
- Review: ‘Unfinished Business’ should have closed deal for better laughs
- Review: ‘Maps to the Stars’ gets lost in Hollywood’s cosmic depravity
- Review: ‘Chappie’ chafes, and not in a good way
- DVD reviews: ‘Foxcatcher,’ ‘The Humbling’ and ‘The Captive’
- Dan Stevens cast as Beast opposite Watson’s Beauty
- Review: Smith, Robbie throw wet blanket into ‘Focus’
- Review: ‘What We Do in the Shadows’ is bloody good mockumentary fun