Corcoran Museum to auction rare rugs at Sotheby's
By David Montgomery
Published: Sunday, March 3, 2013, 9:00 p.m.
The intricately woven carpet of red and blue and green, with its asymmetrical pattern of sickle-shaped leaves and floral profusion, was created by an unknown artist in Persia, for someone important, possibly the shah, in the first half of the 1600s to decorate the dais of his throne.
Later, it fell into the hands of a dealer in Paris, where a blustery billionaire industrialist-turned-senator from Montana fancied it. William Clark probably hung it on the wall of his Fifth Avenue mansion in New York in the early 1900s. Upon his death in 1925, his will bequeathed the rug, with his other art, to the Corcoran Gallery of Art. Highly acclaimed — yet rarely seen except in art books — the carpet spent most of the next 88 years in delicate storage.
Now the so-called Clark Sickle-Leaf Carpet is valued at $5 million to $7 million, and it is the showy star of 25 fine rugs and carpets that the Corcoran is offering for auction with Sotheby's in New York on June 5. The auction house calls the Sickle-Leaf “one of the most iconic and important carpets ever to appear at auction.”
“It's a carpet that has always been revered by carpet people,” said Mary Jo Otsea, senior consultant for rugs and carpets at Sotheby's. Yet, “it's one of those beautiful works that really transcends categories.”
The Corcoran is expected to reap at least $6.7 million at the auction, which is the tally of the estimated minimum value of the 25 pieces.
All of the proceeds will be dedicated to acquiring works that better fit the gallery's focus on American and contemporary art, said Mimi Carter, spokeswoman for the gallery. The money will not be diverted to operating expenses or other purposes at the financially struggling gallery, Carter said, citing the Corcoran's deaccession policy that adheres to accepted museum standards.
“The deaccession and sale of these carpets will keep alive Sen. Clark's generous legacy by enabling us to grow our core collections and make dynamic acquisition choices that will enrich and inform the Corcoran's community for decades to come,” Philip Brookman, chief curator and head of research at the Corcoran, said in a statement.
Clark's original bequest included 200 paintings and drawings, and numerous other types of work, including rugs, a favored acquisition of industrialists at the time. The bequest expanded the scope of the Corcoran's collection so much that his widow and daughters — including the mysterious Huguette Clark, who died in 2011 — financed the Clark wing to display a fraction of it. But Clark's omnivorous artistic taste didn't mesh easily with a coherent museum collection.
The timing of the auction announcement just when the Corcoran is poised to reveal plans to make the institution financially viable is coincidental, Carter said. Corcoran trustees are meeting weekly to fulfill a self-imposed deadline of sometime in March to unveil a new vision for the gallery and the related Corcoran College of Art and Design.
The Corcoran, like many museums, regularly deaccessions redundant or off-topic works, including 15 rugs in 2009, Carter said. Descendants of William Clark have approved of the sale, Carter said.
The auction will be a significant event in the world of rug collectors, especially with the presence of the Clark Sickle-Leaf Carpet, Otsea said. Buyers will likely dial in from the Middle East, Asia, Europe and the United States, plus live bidders in New York. That was the case when Sotheby's recently sold a 17th-century Persian carpet for nearly $2 million, Otsea said.
Other choice rugs for sale include the Lafoes Carpet, 44 feet long, which Clark put on the floor of his painting gallery in his Fifth Avenue mansion, valued at $800,000 to $1.2 million. A circular Ottoman Cairene carpet that belonged to an Italian duke before Clark got it is valued at $80,000 to $120,000.
But the Sickle-Leaf surpasses the rest in value and excellence. It is about 8 feet 4 inches by 6 feet 3 inches. The warp is beige cotton and the weft is red silk. In a 2001 catalog, Corcoran curator Laura Coyle compared it to “a bird's eye view of a wooded landscape.”
It is distinguished for its crispness of imagery and vibrancy of colors, Otsea said. The work gained international renown in a seminal 1939 study of Persian art.
However, with the exception of a few shows, including a 2003 exhibit at the Sackler Gallery, it has rarely been appreciated in public. The Corcoran displayed it infrequently, in part because it didn't exactly belong with the museum's other work, and in part to protect it.
Otsea called it a career highlight to work with the Sickle-Leaf Carpet. “I've been looking at carpets for 30 years, and I've loved this carpet for 30 years,” she said.
Those with neither the cash to buy a rug nor a gallery in which to display it can see the 25 pieces on exhibit starting June 1 at Sotheby's, 1334 York Ave., New York.
David Montgomery is a staff writer for The Washington Post.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Carnegie International’s success keeps it as one of Pittsburgh’s art gems
- Art Review: ‘Rejuvenate’ at Gallerie Chiz
- Andy Warhol Museum nearly done with repurposing, redesign