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2013 Carnegie International welcomes the world

- A detail of Phyllida Barlow's TIP piece outside the Carnegie Museum of Art Thursday, September 26, 2013, part of the upcoming Carnegie International show.
A detail of Phyllida Barlow's TIP piece outside the Carnegie Museum of Art Thursday, September 26, 2013, part of the upcoming Carnegie International show.
HEIDI MURRIN | Tribune-Review - Detail of Phyllida Barlow's TIP at the Carnegie Museum of Art Thursday, September 26, 2013.
<div style='float:right;width:100%;' align='right'><em>HEIDI MURRIN  |  Tribune-Review</em></div>Detail of Phyllida Barlow's TIP at the Carnegie Museum of Art Thursday, September 26, 2013.
- Phyllida Barlow's piece TIP is constructed outside the Carngie Museum of Art Thursday, September 26, 2013.
Phyllida Barlow's piece TIP is constructed outside the Carngie Museum of Art Thursday, September 26, 2013.
- Construction of Phyllida Barlow's TIP is shown outside the Carnegie Museum of Art on Thursday, Sept.26, 2013.
Construction of Phyllida Barlow's TIP is shown outside the Carnegie Museum of Art on Thursday, Sept.26, 2013.
- One of Pedro Reyes' musical instruments made out of seized guns and weapons by the Mexican military from drug cartels around the city of Juarez. Part of the upcoming Carnegie International exhibit at the Carnegie Museum of Art Thursday September 26, 2013.
One of Pedro Reyes' musical instruments made out of seized guns and weapons by the Mexican military from drug cartels around the city of Juarez.  Part of the upcoming Carnegie International exhibit at the Carnegie Museum of Art Thursday September 26, 2013.
- Pedro Reyes' Disarm at the Carnegie Museum of Art Thursday, Septemver 26, 2013, part of the upcoming Carnegie International show. These instruments are parts of guns and weapons seized by the Mexican military fro frug cartels around the city of Juarez.
Pedro Reyes' Disarm at the Carnegie Museum of Art Thursday, Septemver 26, 2013, part of the upcoming Carnegie International show.  These instruments are parts of guns and weapons seized by the Mexican military fro frug cartels around the city of Juarez.
- Miladen Stilinovic's Bag People, foreground, and Exploitation of the Dead, rear, at the Carnegie Musuem of Art thursday, September 26, 2013 for the upcoming Carnegie International show.
Miladen Stilinovic's Bag People, foreground, and Exploitation of the Dead, rear, at the Carnegie Musuem of Art thursday, September 26, 2013 for the upcoming Carnegie International show.
- Wade Guyton's untitled artwork (on walls) at the Carnegie Museum of Art for the Carnegie International show Thursday, September 26, 2013. This is in the previous coat room at the museum.
Wade Guyton's untitled artwork (on walls) at the Carnegie Museum of Art for the Carnegie International show Thursday, September 26, 2013.  This is in the previous coat room at the museum.
- Lara Favaretto's L'ecume desmers (on floor plates with silk) at the Carnegie Museum of Art Thursday, September 26, 2013, part of the upcoming Carnegie International show.
Lara Favaretto's L'ecume desmers (on floor plates with silk) at the Carnegie Museum of Art Thursday, September 26, 2013, part of the upcoming Carnegie International show.
- Lara Favaretto's L'ecume desmers at the Carnegie Museum of Art's upcoming Carnegie International show Thursday, September 26, 2013.
Lara Favaretto's L'ecume desmers at the Carnegie Museum of Art's upcoming Carnegie International show Thursday, September 26, 2013.
- Nicole Eisenman's 'Beer Garden with Ulrike and Celeste' will be part of the Carnegie International.
Nicole Eisenman's 'Beer Garden with Ulrike and Celeste' will be part of the Carnegie International.
- Mladen Stilinovic's 'Artist at Work (for Nesa Paripovic)' will be part of the Carnegie International.
Mladen Stilinovic's 'Artist at Work (for Nesa Paripovic)' will be part of the Carnegie International.
- Joel Sternfeld's 'New Elm Springs Colony, Ethan, South Dakota,' will be part of the Carnegie International.
Joel Sternfeld's 'New Elm Springs Colony, Ethan, South Dakota,' will be part of the Carnegie International.
Carnegie Museum of Art - Ei Arakawa and Henning Bohl Video still from 'Helena and Miwako,' 2013 Commissioned by Carnegie Museum of Art for the 2013 Carnegie International
<div style='float:right;width:100%;' align='right'><em>Carnegie Museum of Art</em></div>Ei Arakawa and Henning Bohl  Video still from 'Helena and Miwako,' 2013  Commissioned by Carnegie Museum of Art for the 2013 Carnegie International
Carnegie Museum of Art - Amar Kanwar Video still from 'A Love Story,' 2012
<div style='float:right;width:100%;' align='right'><em>Carnegie Museum of Art</em></div>Amar Kanwar Video still from 'A Love Story,' 2012
Carnegie Museum of Art - Paulina Olowska 'Shadows Madly Alive II,' 2012, Collage on paper
<div style='float:right;width:100%;' align='right'><em>Carnegie Museum of Art</em></div>Paulina Olowska  'Shadows Madly Alive II,' 2012,  Collage on paper
Carnegie Museum of Art - Kamran Shirdel Still from 'Tehran Paiktakhte Iran Ast (Tehran is the Capital of Iran),' 1966–1979 35mm film transferred to digital format
<div style='float:right;width:100%;' align='right'><em>Carnegie Museum of Art</em></div>Kamran Shirdel Still from 'Tehran Paiktakhte Iran Ast (Tehran is the Capital of Iran),' 1966–1979 35mm film transferred to digital format
Carnegie Museum of Art - Erika Verzutti 'Swan with Hammer,' 2013 Bronze and sledgehammer
<div style='float:right;width:100%;' align='right'><em>Carnegie Museum of Art</em></div>Erika Verzutti 'Swan with Hammer,' 2013 Bronze and sledgehammer
Carnegie Museum of Art - Joseph Yoakum 'Mt. Bifelo in Velibet Range in Montengno Sector of Yugoslavia,' October 16, 1970 Colored pencil and ink on paper
<div style='float:right;width:100%;' align='right'><em>Carnegie Museum of Art</em></div>Joseph Yoakum 'Mt. Bifelo in Velibet Range in Montengno Sector of Yugoslavia,' October 16, 1970  Colored pencil and ink on paper
Carnegie Museum of Art - Vincent Fecteau Untitled, 2012 Papier-mâché and acrylic paint
<div style='float:right;width:100%;' align='right'><em>Carnegie Museum of Art</em></div>Vincent Fecteau Untitled, 2012  Papier-mâché and acrylic paint
Carnegie Museum of Art - Rodney Graham 'Pipe Cleaner Artist, Amalfi, ’61,' 2013 Painted aluminum lightbox with transmounted chromogenic transparency
<div style='float:right;width:100%;' align='right'><em>Carnegie Museum of Art</em></div>Rodney Graham 'Pipe Cleaner Artist, Amalfi, ’61,' 2013 Painted aluminum lightbox with transmounted chromogenic transparency
Carnegie Museum of Art - Dinh Q. Lê 'Light and Belief: Sketches of Life from the Vietnam War,' 2012 100 drawings; pencil, watercolor, ink, and oil on paper
<div style='float:right;width:100%;' align='right'><em>Carnegie Museum of Art</em></div>Dinh Q. Lê 'Light and Belief: Sketches of Life from the Vietnam War,' 2012 100 drawings; pencil, watercolor, ink, and oil on paper
Carnegie Museum of Art - He An 'What Makes Me Understand What I Know?' 2009 Three sets of seven neon characters
<div style='float:right;width:100%;' align='right'><em>Carnegie Museum of Art</em></div>He An 'What Makes Me Understand What I Know?' 2009  Three sets of seven neon characters
Carnegie Museum of Art - Tobias Madison Process documentation for the making of 'Workshop,' 2013 Video and installation in collaboration with the Neighborhood Youth Outreach Program and St. Stephen's Church, Wilkinsburg, PA
<div style='float:right;width:100%;' align='right'><em>Carnegie Museum of Art</em></div>Tobias Madison  Process documentation for the making of 'Workshop,' 2013 Video and installation in collaboration with the Neighborhood Youth Outreach Program and St. Stephen's Church, Wilkinsburg, PA

2013 Carnegie International

When: Through March 16 at 10 a.m.-5 p.m. Tuesdays-Saturdays; until 8 p.m. Thursdays; noon-5 p.m. Sundays

Admission: $17.95; $14.95 seniors; $11.95 children and students; free for children under 3

Where: Carnegie Museum of Art, Oakland

Details: 412-622-3131 or www.cmoa.org

Wednesday, Oct. 2, 2013, 6:37 p.m.
 

If you've driven by the Carnegie Museum of Art at any time during the past week, you may have noticed the massive stack of scrap wood wrapped in brightly colored fabric billowing forth from the museum's main entrance.

Like flags in a parade, the blue, magenta and orange strips of fabric herald the coming of the 2013 Carnegie International, which will open this weekend with much fanfare.

Held every three to five years, it's the oldest international survey of contemporary art in North America and the second-oldest in the world.

The aforementioned piece is titled “TIP” and is by Phyllida Barlow, a Brit with a 40-plus-year career as an artist and one of the 35 artists from 19 countries featured in this exhibit.

The exhibition is actually three in one: “The Playground Project,” “The Collection” and the 2013 Carnegie International.

It encompasses the whole museum, from the Lozziwurm, a colorful play sculpture situated in front of the museum, to the work of New York-based digital painter Wade Guyton, whose massive untitled paintings fill the coat room.

Yes, the coat room.

“We ripped out all the coat racks from the coat room,” curator Daniel Baumann says. “It's a pity to have one of the most beautiful spaces in the museum used for coat racks. It's still the coat room, but now it's filled with paintings.”

Baumann is one of three curators, along with Dan Byers and Tina Kukielski, who each traveled the world looking for artworks that not only spoke to one another, but spoke to the world and life at large.

They say one of the main themes to arise from this 56th iteration of the International is diversity.

“It's diverse in terms of it being international, as far as race, class, etc., but it's also diverse in terms of difference, how you distinguish between things,” Byers says. “Because, this show is almost an index of how (artists) make contemporary art today.”

Baumann says it's also about where their art is made or “takes place.”

“It can take place in a coat room, it takes place in a gallery, it takes place outside, it takes place in Krakow and Poland, it takes place in Braddock. It has very specific origins, but then it speaks out to the world,” he says.

Founded at the behest of industrialist Andrew Carnegie in 1896, this international exhibition series was started as a way to build the museum's permanent collection, so the collection itself is a kind of archaeological record of the exhibit's history. And thus, “The Collection” portion of the exhibit features an ambitious re-installation of part of the museum's permanent collection.

Here, you will find pieces like Winslow Homer's “The Wreck” (1896), one of the very first pieces to be acquired by the museum from the very first International exhibition, hung not far from steel road plates that weigh a few tons placed on the floor of the Sarah Scaife Galleries, compressing sheets of fine French silk, in an installation by Italian artist Lara Favaretto.

“The Playground Project” portion of the exhibition occupies the Heinz Galleries. There, visitors will find photographs, models and videos of different kinds of recreational sculptures and play parks throughout the United States, Europe and Japan, such as the Lozziwurm, which was designed in 1972 by the Swiss sculptor Yvan Pestalozzi.

The remaining works of the 2013 Carnegie International are housed in the Heinz Galleries, which showcase drawings, paintings, sculpture, video and installation art by 10 artists exploring a variety of different mediums and modes of expression, including a massive display of 57 drawings by the late Joseph Yoakum (1890-1972), a self-taught landscape artist of African-American and Native American descent.

It is “the largest exhibition of (Yoakum's) drawings to date,” Byers says.

The exhibition is not without elements of performance. On Oct. 5, visitors will be privy to performances by a few of the exhibiting artists:

• Rodney Graham, whose silent film “The Green Cinematograph (Programme I: Pipe smoker and overflowing sink)” is on display in the Heinz Galleries, will perform an acoustic set, beginning at 1 p.m. in the Carnegie Music Hall.

• Ei Arakawa and Henning Bohl will perform “Soccer Ball and Figure,” a performance and interactive experience for all ages in the Museum of Art lobby, beginning at 11 a.m. and ending up across the street on the lawn of the University of Pittsburgh's Cathedral of Learning.

• Serbian artist Mladen Stilinovic, whose work fills Gallery One, will read from his text, “The Praise of Laziness,” in the coatroom gallery on the museum's first floor, beginning at 2:30 p.m.

• And Polish puppeteer Paulina Olowska's “Museum Piece (For Margot Lovelace)” will be performed by Kristen Barca and Joann Kielar in the Carnegie Cafe on the museum's first floor, beginning at 3 p.m.

Then on Oct. 6, Transformazium, a Braddock-based artist collective that has created an art-lending collection in the Braddock Carnegie Library that includes pieces by all of the artists participating in the 2013 Carnegie International, will celebrate the opening of their project with a day of festivities, activities and tours of the Braddock branch of the Carnegie Library. Buses will run to and from the Carnegie Museum of Art during this event, from 11 a.m. to 3 p.m.

Visit carnegieinternational.org/calendar to browse upcoming events.

Kurt Shaw is the art critic for Trib Total Media. He can be reached at kshaw@tribweb.com.

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