ShareThis Page

Painter shows off '90 Pittsburgh Neighborhoods' in 1 exhibit

| Saturday, May 23, 2015, 7:56 p.m.
Painter Ron Donoughe works on 'Allegheny West' August 5, 2013. This painting is part of Donoughe's finished exhibit titled, “90 Neighborhoods” at Pittsburgh Center for the Arts.
Jasmine Goldband | Trib Total Media
Painter Ron Donoughe works on 'Allegheny West' August 5, 2013. This painting is part of Donoughe's finished exhibit titled, “90 Neighborhoods” at Pittsburgh Center for the Arts.
'Perry South' is one of Ron Donoughe’s “90 Neighborhoods” exhibit at Pittsburgh Center for the Arts
Jasmine Goldband | Trib Total Media
'Perry South' is one of Ron Donoughe’s “90 Neighborhoods” exhibit at Pittsburgh Center for the Arts
'Reaching Shadows/Elliott' is one of Ron Donoughe’s “90 Neighborhoods” exhibit at Pittsburgh Center for the Arts
Jasmine Goldband | Trib Total Media
'Reaching Shadows/Elliott' is one of Ron Donoughe’s “90 Neighborhoods” exhibit at Pittsburgh Center for the Arts
'East Allegheny' is one of Ron Donoughe’s “90 Neighborhoods” exhibit at Pittsburgh Center for the Arts
Jasmine Goldband | Trib Total Media
'East Allegheny' is one of Ron Donoughe’s “90 Neighborhoods” exhibit at Pittsburgh Center for the Arts
'Mount Oliver' is one of Ron Donoughe’s “90 Neighborhoods” exhibit at Pittsburgh Center for the Arts
Jasmine Goldband | Trib Total Media
'Mount Oliver' is one of Ron Donoughe’s “90 Neighborhoods” exhibit at Pittsburgh Center for the Arts
'Knoxville' is one of Ron Donoughe’s “90 Neighborhoods” exhibit at Pittsburgh Center for the Arts
Jasmine Goldband | Trib Total Media
'Knoxville' is one of Ron Donoughe’s “90 Neighborhoods” exhibit at Pittsburgh Center for the Arts

Painter Ron Donoughe is passionate about Pittsburgh. So much so that between the summer of 2013 and 2014 he spent an entire year painting in all of Pittsburgh's 90 neighborhoods.

Now, the results are on display in the solo exhibit “90 Pittsburgh Neighborhoods” at Pittsburgh Center for the Arts.

Over 12 months, Donoughe visited and painted Pittsburgh's neighborhoods in alphabetical order, attempting to create at least two or three each week. The goal was to capture the overall texture of the city through seasonal changes.

“Pittsburgh folks are very passionate about our city, and it was an honor to paint the places they call home,” Donoughe says. “I also learned a lot about this city and hope others take the opportunity to explore areas outside their own locality. It is a fascinating and unique place — well worth crossing the bridges. Perhaps these paintings will inspire that.”

A native of Loretto, Cambria County, who has lived in Lawrenceville since moving to Pittsburgh in 1979, Donoughe is well known for his plein air (outdoor) landscape paintings done in a realist style.

Donoughe says plein air painting is about capturing a particular time and place, done mostly “alla prima,” or all at once.

“Studio paintings take on a different feeling and are not meant to be an exact replication of the small reference study,” Donoughe says. “They are an extended meditation on the plein air experience, which commits the spirit of place to the artist's brush.”

Right up front, Donoughe offers an example with “Reaching Shadows/Elliot.” At 4 feet by 6 feet, it is the only large painting in the show. A smaller Elliott neighborhood painting, on display among the 90 much-smaller paintings, served as a reference for this piece.

“Large paintings such as these are difficult to execute on location,” Donoughe says. “The time to complete a small painting is usually 2 to 3 hours, while a painting this size required almost three weeks of studio time.”

The rest of the exhibit is made up of the smaller 9-inch by 12-inch paintings that Donoughe made on-site in each of the neighborhoods. As visitors will see, they are as varied as the neighborhoods themselves.

When you plant yourself in a neighborhood, Donoughe says, you never know what's going to happen, and there were a few challenges along the way.

“You might be totally embraced; you might be totally ignored. Someone might offer you a glass of water,” he says. “Some places were scary, but I would explain why I was there and ask what is here and what is unique about their neighborhood.

“Sometimes people would walk by me and not even notice that I was making a painting,” he says. “That seems really strange to me, although a lot of passersby had wires attached to their ears. Maybe they were listening to music or having a phone conversation.”

Painting in all seasons, Donoughe says, “sometimes it was just too darn cold to paint outside.”

He points to a painting he did in Knoxville of a small snow-covered garage in an alleyway behind a house.

“There were a few days last year when it was impossible to paint outdoors. I remember it being so cold that my cell phone kept shutting off. I did this painting in my studio after surrendering to the temperature, which didn't get above 10 degrees.”

Often, however, it was the people he met along the way that warmed his heart.

A painting done in the Mt. Oliver neighborhood (not to be confused with the neighboring borough of Mt. Oliver) is a gentle reminder.

“I met a gentleman named Tom while setting up to paint this church,” Donoughe says. “He was visiting from North Carolina, but this area was once his home, and he had been baptized here. His feelings for Pittsburgh had grown quite intense over the years. It's a story I've heard many times. Pittsburgh people who have moved away have actually never left. Their hearts remain here.”

Some places reminded Donoughe of his own childhood. “East Allegheny,” for example, which features two identical houses, side-by-side, is one of them.

“These two houses reminded me of what it was like growing up as an identical twin. My brother and I were always being compared to each other,” he says. “Like these two houses, we appeared to be the same, but were different in many significant ways.”

Donoughe holds a bachelor of arts in art education from Indiana University of Pennsylvania and studied at the California College of Arts and Crafts in Oakland, Calif. While Donoughe has been a full-time painter for the past two decades, some of his previous jobs have included landscaper, grave digger, chicken catcher, art teacher, museum installer and graphic designer.

That last one came in handy when designing a book ($35) of the same title that accompanies this exhibition, as well as a poster (18 inches by 24 inches, $15) featuring all 90 paintings. Both are available in the center's gift shop.

Kurt Shaw is the art critic for Trib Total Media. He can be reached at kshaw@tribweb.com.

TribLIVE commenting policy

You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.

We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.

While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.

We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers

We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.

We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.

We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.

We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.