Honeck guides symphony's spiritual concert
Spirituality suffused Friday night's Pittsburgh Symphony Orchestra concert led by Manfred Honeck.
It opened two weeks of concerts at Heinz Hall, Downtown, featuring repertoire that will be performed on an eight-city, 12-concert European tour at the end of October and beginning of November.
Viennese composer Herbert Willi's “Abba Ma” (Echo of Peace) is a six-minute piece for chorus and orchestra that begins as though the composer had been listening to John Adams' music. It quickly turns dramatic, using the orchestra well, to lead to the choral prayer, followed by a purely orchestral conclusion.
Ludwig van Beethoven's Violin Concerto will not be played on tour, which is a shame because concertmaster Noah Bendix-Balgley gave a transporting performance.
His playing was beautifully articulate and sang with natural soulfulness. It was pure Beethoven, not someone's twisting of Beethoven's music to “make it their own.”
So sensitive and alert were the orchestra's contributions under Honeck's leadership that the performance felt like chamber music. But however soft the volume coming from the stage, the playing was always alive with shape and emphasis.
The slow movement sang with deep inner feelings expressed lightly, without heavy romantic weight. The finale was physically vigorous but also agile.
Bendix-Balgley composed his own cadenzas for each of the three movements. They were all fascinating explorations which found fresh changes of harmony, voicing and thematic sequence.
The concert culminated in a repeat performance of Honeck's bold performing version of Wolfgang Amadeus Mozart's Requiem, which he introduced to Heinz Hall in December 2009. Called “Mozart's Death in Words and Music,” it also will be performed at the Musikverein in Vienna, Austria, on Nov. 1.
Honeck precedes the Requiem with Gregorian Chant, a letter about death from the composer to his father, his Masonic Funeral Music and an exquisite soprano solo from one of his settings of Vespers.
The effect on the listener is that when the Requiem itself begins, with weary tread and doleful solo bassoon, it is answering feelings that have already filled the heart.
F. Murray Abraham was outstanding as the speaker. He read Mozart's letter to his father about death as the ultimate purpose of life, the “true, best friend of man,” with the tone of a dutiful son trying to reassure his dying father.
This concert will be repeated at 8 p.m. Saturday and 2:30 p.m. Sunday at Heinz Hall. Admission is $20 to $93. Details: 412-392-4900 or www.pittsburghsymphony.org.
Mark Kanny is classical music critic for Trib Total Media. He can be reached at 412-320-7877 or email@example.com.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- 2015 Allegheny County Summer Concert Series announced
- A&E notebook: River City Brass concerts to feature Fairey Band musician
- Pittsburgh Opera’s ‘The Daughter of the Regiment’ a joy for performers, audience
- Hall & Oates still has rock and soul, decades in
- Pittsburgh Symphony’s new CEO to be first woman, youngest to hold the office
- Opera star Oropesa has lungs to run Pittsburgh Marathon
- Highmark Stadium will host concerts this summer
- Steve Miller Band to be 1st show at Highmark Stadium
- Pittsburgh Opera’s ‘Daughter’ a joy for performers, audience
- Review: Vocalists, dancers elevate Chatham Baroque concert
- Tickets on sale May 8 for Jason Aldean show