A lot of thought behind Pittsburgh Pops Valentine's Day mix
Picking a good Valentine's Day Pops program takes as much thought as picking the right gift for the one you love.
Experience has formed conductor Michael Krajewski's programming sensibilities. He is principal pops conductor of the Houston, Atlanta and Jacksonville, Fla., symphonies. In November 2012, he was named music director of the Philly Pops in Philadelphia, a post Marvin Hamlisch had accepted before his death in August.
“For me, a Valentine's program is a double-edged sword,” Krajewski says. “Most songs and a whole lot of other music are romantic. The flip side is that I wanted to make sure it wasn't one slow romantic song after another. It would get too gooey-sounding. The trick for me is to get some lively songs in the mix, inject some humor and have a nice variety.”
Krajewski and the Pittsburgh Symphony Pops will present “My Funny Valentine” at concerts Thursday through Sunday at Heinz Hall, Downtown.
The Pops program was “pretty much” selected by Krajewski. Before he died, Hamlisch had decided on the soloists and chorus, but not selected the actual repertoire.
The vocalists, Doug LaBrecque and Rebecca Luker, both Hamlisch favorites, are well-known to Pittsburgh Pops audiences. The All-Star College Chorus, selected and prepared by Robert Page, was created for Hamlisch.
Luker is a native of Birmingham, Ala., but, as a Broadway star, lives these days in New York City. A lyric soprano, she does perform classical repertoire, in addition to musical theater.
She's just released a new album of Jerome Kern songs titled “I Got Love” on the PS Classics label, supplementing popular favorites with neglected songs she's discovered and loves.
Among the numbers she'll perform at Heinz Hall are the solo “I Could Have Danced All Night” from “My Fair Lady” and, with LaBrecque, the duet “Anything You Can Do” from “Kiss Me Kate.”
Many pops conductors take to the podium as a second career, such as composers Marvin Hamlisch and John Williams, trumpeter Doc Severinsen, and arranger Richard Hayman.
Krajewski, like Arthur Fiedler of Boston Pops fame, originally had his eyes on a career in classical music.
“I started out on the path to being a classical conductor, so I seriously studied technique and all that stuff very carefully,” he says. “I just got detoured a little bit into the pops realm.”
He laughs when asked if he's enjoyed the transition.
“I was music director of the Modesto Symphony (in California) and would do pops concerts, children's concerts — any concerts for nontraditional audiences,” he says. “I found I really enjoy doing that and have a knack for programming for people who don't normally go to a classical concert. I found I enjoyed it even more than what I was doing as a classical conductor and that the set of skills I have were more suited to the pops arena than classical.”
Mark Kanny is classical music critic for Trib Total Media. He can be reached at 412-320-7877 or firstname.lastname@example.org
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- 3 venues making Dormont the place to be for live music
- Orozco-Estrada to debut with Pittsburgh Symphony
- Decemberists look forward to warm reception at Benedum Center after break
- Hard Rain goes ‘Deep in the Shadows’ for new release
- Perfume Genius makes sweet sounds, sometimes from sad
- Faddis trumpets the subtleties, nuances of jazz
- Ryan’s music draws from Ireland, U.S. shores
- Super Salsa Weekend brings ‘joy’ to Pittsburgh
- ‘Stand by Me’ among 25 records being preserved at Library of Congress
- Iris, Chedwick, Christie join Pittsburgh rock legends