Indigo Girls more personable than ever in Byham show
The Indigo Girls created an intimate atmosphere Sunday at the Byham Theater, where it felt like the folk-rock duo was singing for a much smaller gathering.
Emily Saliers and Amy Ray show a laid-back, personable style on stage, with a beautiful simplicity in their folksy music and live performance. There was neither a grand entrance with a curtain nor drumroll announcement or special effects. Saliers and Ray simply strolled out to the stage, strapped on their guitars and gave Pittsburghers a warm greeting, saying it was great to be back.
The Indigo Girls covered their bases by focusing largely on their classic favorites, including the inaugural hit “Closer to Fine” from the late ‘80s, the rocking “Galileo” that turned the Byham aisle into a dance floor and “Least Complicated.” Yet the singers didn't neglect their more recent material, throwing in some songs from the past decade and their most recent album, 2011's “Beauty Queen Sister." The most compelling moment of the show came from Saliers' solo performance of her self-penned ballad “Fly Away,” a song full of metaphors about birds that she sang with such heart. That song is from the 2006 album “Despite Our Differences.”
Saliers and Ray, who have been performing together since high school in their home state of Georgia, complement each other well with their harmonies. The women showed their friendship with some good-natured teasing and wisecracks.
The Atlanta-based Shadowboxers, a talented band, opened for the Indigos, and backed them during their headlining performance. It was interesting to watch the ever-rotating stringed instruments that passed among Saliers and Ray and a stage hand. The singers didn't seem to hold the same instruments for more than one song. They consistently rotated from acoustic to electric guitars, a banjo and a mandolin.
Kellie B. Gormly is a staff writer for Trib Total Media. She can be reached at firstname.lastname@example.org or 412-320-7824.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Review: Comedy team of Igudesman and Joo brings wit, slapstick to symphony
- James Taylor coming to Consol on Nov. 29
- DVD reviews: ‘The Giver,’ ‘The Expendables 3’ and ‘What If’