Scofield, Stern come together to make some great jazz
John Scofield and Mike Stern come from the same school of jazz, but obviously hung out in some different classrooms.
At the Manchester Craftsmen's Guild on the North Side on Saturday, the two played in what they call the Hollowbody Band and showed strong cohesiveness in their presentation of their music — even if they also produced greatly different sounds.
Stern has a powerful metallic sound that seems to float in the upper tier of tones while Scofield has a deeper, heavier sound that fits his blues-based playing greatly
That difference showed immediately in their solos on the opening “How Deep is the Ocean”, but was never more clear than on “Moonlight in Vermont”. Stern opened the ballad with a long solo spot that was crisp in its metal sound. At the end, Scofield offered a long, unaccompanied, cadenza-like exploration of the theme that fit his tone.
They also took striking difference in their backup play. Stern would offer broad chords that drew great notice in the number of notes comprising them. Scofield, at the other end, would comp in simpler, short phrases.
But the music they produced fit each other and the rest of the band so well, the differences were positive elements that enriched the sound.
They also paid close attention to each other, seeming sometimes surprised at the direction the other was taking.
The richness in their play also showed in the songs they did. Their version of “How Deep is the Ocean” never came close to stating its melody, existing only in its chord pattern. The result was a song that you would not recognize, but yet worked perfectly. “Like That But Better” was a Scofield original with a bluesy sound while “Slinky” had a taste of 21st Century bebop.
When the band was called back for an encore, it did “Season Creep,” a mellow piece Scofield said he wrote in 2012 to reflect the quick move from winter into spring.
While the two guitarists were the headliners of the show, drummer Bill Stewart and bassist Ben Street were a great rhythm section. Stewart works frequently with Scofield in a trio that features bassist Steve Swallow and obviously knows his music well. He is a powerful drummer, but can back off effectively as he did with brushes on “Moonlight in Vermont.”
With Scofield and Stern playing electric guitars, it would have seemed proper to have Street on electric bass. But he did fine on his acoustic upright, perhaps toning down the sound a bit.
By the way, despite the name of the band, both guitarists played instruments with solid bodies. Scofield said he put the band together for an earlier date to feature hollow-bodied guitars and a pure jazz sound. But Stern wanted to play a solidbody guitar, and Scofield accepted.
Right name or not, the band gets the job done.
Bob Karlovits is a staff writer for Trib Total Media. He can be reached at firstname.lastname@example.org or 412-320-7852.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Marilyn Manson still happy to ‘prove people wrong’
- Pittsburgh Symphony Orchestra brings ‘A Night in Russia’
- Skillet hopes Christian music tour Winter Jam fans the flames of hope
- New York City-based band Antibalas not afraid to be a step, or Afrobeat, ahead
- Pittsburgh band The Love Letters a throwback to poppier age
- Pittsburgh Symphony Orchestra musicians journey afield for ‘Play N’At’
- Highlands Alumni Cabaret Concert brings alums, students, teachers together in harmony
- Review: ‘Rodelinda’ a big success for Pittsburgh Opera
- Budway’s ‘Candor’ is a sweet parting
- Review: Seger blends old, new hits for show at Consol Energy Center