Welsh rock trio Joy Formidable bringing 'Wolf's Law' to Stage AE
It's usually a good sign when an artist (or rock band) comes from a real, identifiable place — instead of, say, an anonymous corporate record label's boardroom in L.A. Chances are better that way that the music is coming from a real place, too — not just something concocted in a lab to fit the whims of an ever-changing marketplace.
The Joy Formidable, who are in town for a show April 24 at Stage AE, comes from Mold.
Mold is a town in rugged, windswept North Wales — about as remote a place as you can get on the U.K. mainland. It's best known for a coal miners' riot in the late 1860s.
The stylish, photogenic power trio plays an instantly familiar style of modern rock — boiling down the last few decades' worth of noisy late-'80s shoegaze (My Bloody Valentine), post-grad indie rock (Rainer Maria) and post-grunge pop-rock (Foo Fighters). They also do it better than just about anyone else.
Singer-guitarist Ritzy Bryan, in particular, seems to have become the unlikeliest of guitar heroes, cranking out innards-rattling riffs while looking like some kind of adorable Welsh forest sprite with a thing for vintage dresses, instead of the usual unkempt, hairy, likely foul-smelling rocker-dude.
But the nature of Mold, North Wales, is there in the background. Despite touring harder than just about anyone, the band has an affinity for isolated, windswept places. They holed up in the remote forests of Casco, Maine, to record their latest album, “Wolf's Law.” There was no wi-fi, no phone signal out there in “Stephen King country,” as Bryan described it. The result was an album full of wild mood swings and rugged beauty, held together by an overarching theme of resilience.
“ ‘Wolf's Law' is a medical term that talks about how bone can adapt to stress, and it became like a motif for, not all, but some of the things on the album,” says bassist Rhydian Dafydd. “Some of that probably comes from personal experience. Ritzy's parents had a long, drawn-out, messy divorce. That was a very big thing in her life. Finally, her parents are able to talk again. I think things like that can't help to seep into your views on the world. I think that, along with losing some friends and family during the making of this record, made us really question big questions, you know?”
The third member of the band is percussionist Matthew James Thomas.
Though Wales has long had a solid music scene, The Joy Formidable were isolated from it. Not a lot of bands came through town, but there were a lot of records.
“Especially Ritzy, her parents had a huge record collection,” Dafydd says. “Her parents educated her, I suppose, from a really early age with really heavy stuff, like Dylan, Van Morrison, Springsteen — unique voices who have something to say.
“I first got into Hendrix when I was about 12, and it changed my life. I had no idea how powerful music could be. It threw the gates wide open to me.”
Another unspoken subtext is the shifting relationship between Bryan and Dafydd. They've gone from high-school acquaintances to bandmates in Manchester, to platonic friends, to romantic couple-dom, to ... something else. Bryan and Dafydd aren't “together” anymore, but they remain committed to a musical relationship, above all else.
“Music makes for very bizarre relationships, in general,” Dafydd says. “It's a very tight friendship. It's about the music — which is a very strong thing.”
Michael Machosky is a staff writer for Trib Total Media. He can be reached at email@example.com or 412-320-7901.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Through the years, Rogers keeps his focus on entertaining
- Pittsburgh Symphony Orchestra’s ‘Divine Travel’ embraces the quirky
- Photo gallery: Gaslight Anthem fires up sold out crowd at Stage AE
- Concert at Pitt to celebrate organist’s legacy