Diamond records charity song for Boston
Neil Diamond visited Boston in the days following the marathon bombings and left convinced he should do something to help.
“I was moved by the unity and the attitude of the people in Boston,” Diamond said. “And that's really all a songwriter needs, is to be inspired. It doesn't happen very often, but when it does, you have to follow that muse, and I did.”
The result is “Freedom Song (They'll Never Take Us Down),” a new patriotically themed song Diamond will release July 2 through iTunes and Amazon. All proceeds from the song will go to benefit the Boston One Fund and the Wounded Warriors Project.
Diamond watched coverage of the April 15 bombings unfold from afar, then visited the city the following Saturday. The Red Sox, the city's Major League Baseball franchise, adopted the 72-year-old singer's hit “Sweet Caroline” as an eighth-inning anthem some time ago and had invited him to perform it live.
Diamond returned home and began work on “Freedom Song.” He said in a phone interview it took about six weeks to write and record.
He will perform the song live for the first time July 4 in Washington, D.C., at a Washington Nationals-Milwaukee Brewers baseball game and during PBS' “A Capitol Fourth,” broadcast from the west lawn of the U.S. Capitol.
“I didn't know exactly what would happen with this song, but I did know I had to write it,” Diamond said. “So, I set out on that creative journey of writing something that would lift people up, lift their spirits in the way that mine was lifted when I flew to Boston to sing at the Red Sox game.”
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Pittsburgh producer revives, re-airs an expanded ‘Motown 25 ’
- Saxophonist Carter proves he’s up to any musical challenge
- PLS Trio seems like more voices on ‘East River’
- Ed Sheeran coming to Pittsburgh in May
- PSO’s Honeck coaxes orchestral brilliance in ballet themes
- Drummer Gadd delivers birthday present to fans
- Pittsburgh Rock ’N Roll Legends Awards honors rock legends, locals
- Pittsburgh Symphony Orchestra’s new season will feature 11 conductors
- Pittsburgh Symphony Orchestra to move in step with ballet music
- Review: Pittsburgh Opera gives new composer a strong production of ‘Sumeida’s Song’