Christian band ApologetiX finds their calling in being funny
J. Jackson, the lead singer and lyricist for ApologetiX, a Christian parody band, is on a mission.
When J. was a kid, he loved writing parodies, reading Mad magazines, listening to novelty records, and rewriting songs for friends and family throughout his grade-school and college days.
“My sister and I even briefly had a singing telegram service where we would custom-rewrite songs for people for special occasions,” he says.
Jackson went the garage-band and bar-band circuit, which “was fun for a while, but it got boring, and it left me empty.” He majored in journalism at Indiana University of Pennsylvania and worked in public relations at Equitable Gas.
Jackson says he “found Jesus Christ and gave up on his old rock 'n' roll dreams” and started writing parodies. “I know music is a powerful memorization tool, and I wrote my first biblical parodies to teach myself the books of the Bible and the names of the Apostles.”
He performed at Bible studies and graduated to Christian coffeehouses, jamming with other performers. The response was more than they dreamed of, and soon the group became an unofficial house band. The invitations to play started to multiply.
The band chose the name ApologetiX in 1992 because “Christian apologetics (the defense of faith) was important to us,” Jackson says. “Apologetics is a field of Christian theology which aims to present a rational basis for the Christian faith, defending the faith against objections. Jackson chose the “X” in the band's name to give it a rock 'n' roll vibe.
The band's diverse repertoire includes — rock, pop, country and even rap. At a concert, fans hear takes on Elvis, “Found God” (for “Hound Dog”); Aerosmith, “Walk His Way” (“Walk This Way”); Steppenwolf, “Born-Again Child” (“Born To Be Wild”); the Beatles, “Yes, Today” (“Yesterday”); the Beach Boys, “Baa! We're Lambs” (“Barbara Ann”); Nickelback, “Rocky Start” (“Rockstar”); and Toby Keith, “Choose Your Daddy” (“Who's Your Daddy”) to name a few.
“People are surprised when they first hear us and that Apologetix can pull off popular songs with Biblical lyrics,” Jackson says.
The band loves to engage fans at concerts, “like a Springsteen concert,” Jackson says. “They realize we're genuine and what you see onstage is what you see off stage.”
The band has played more than 21 years, with more than 1,400 concerts in all 50 states. Radio stations worldwide play their song parodies. They've been on “The Howard Stern Show,” Billy Graham's “Decision Today,” “The 700 Club” and featured in the Los Angeles Times, Wireless Age and USA Today. The band has played at NBA and Major League Baseball games and major Christian music festivals such as Alive, Cornerstone, God-Stock and Powerfest.
Band members include J. Jackson, lead singer-lyricist; Tom Tincha, lead guitarist; Keith Haynie, bassist; and Jimmy “Vegas” Tanner, percussionist. Keyboardist Chris VonBartheld of Lower Burrell just joined the band late in June. All are fathers and family men and have 15 children total.
The band released its 21st CD “Hot Potato Soup” in March.
Jackson says “the band should have a big bumper sticker on it that says, ‘One day at a time.'”
Not too long ago, a man about 48 years old came up to Jackson after a show and told him he saw them for the first time last year. “He had tears in his eyes and said the concert totally changed his life,” Jackson recalls. “It's not us,” Jackson says, “It's the message.”
Mary Lynn Davidek Alpino is a contributing writer for Trib Total Media.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- WXXP listeners, artists to recall ’80s indie-rock days at reunion show
- Electronic composer Troxum’s sound follows natural course
- Rocker Pink added new hue to City and Colour’s sound
- Soldiers & Sailors concert set; free tickets available
- 1D wins big at AMAs, Dion pays tribute to Paris victims
- Journey, Josh Groban shows set for First Niagara Pavilion
- Pittsburgh Symphony celebrates Thanksgiving with memorable ‘Waltz Tradition’
- Isaak doesn’t leave his wheelhouse, but it still sounds good
- Dixie Chicks tour includes stop in Pittsburgh
- Pittsburgh Symphony Orchestra offers own tradition with ‘Waltz’
- Violinist, pianist join for evening of sonatas at Carnegie Music Hall