The King lives on
‘Elvis at Stax: Deluxe Edition'
Elvis Presley (RCA Legacy)
Of all the Elvis Presley reissues and compilations that have dropped the past couple years — and trust me, there have been a lot of them — the three-disc “Elvis at Stax” is the best to date. The 55-song set features tunes recorded at the famed Stax Studios in his hometown of Memphis. It includes 28 masters and 27 outtakes and, amazingly, remains fascinating throughout its nearly three-hour run time.
In addition to the hit singles the sessions produced — “Raised on Rock,” “I've Got a Thing About You Baby,” “Promised Land,” “If You Talk in Your Sleep,” “My Boy” and “Mr. Songman” — there are dozens more winning tunes that found Presley bouncing between country, pop and R&B. Among the many, many keepers here are “I Got a Feelin' in My Body,” “There's a Honky Tonk Angel,” “Spanish Eyes,” “If That Isn't Love,” “Girl of Mine,” “Good Time Charlie's Got the Blues” and “She Wears My Ring.” An absolute must for Presley fans.
Jeffrey Sisk is an editor at Trib Total Media. He can be reached at 412-664-9161, ext. 1952, or email@example.com.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Lake Street Dive goes down smooth at Hartwood Acres
- New synthesizers make sounds musicians want
- Parrot Heads reflect on carefree Buffett concert culture
- Camera Obscura back, focusing on the melancholy
- Review ‘Cage Variations,’ performed by Pittsburgh New Music Ensemble, takes the long way around a short subject
- Reviews: Sean Jones’ latest is top-notch work
- Former PSO conductor Maazel leaves a great legacy
- Trent Reznor contemplates his future, life on the road