Guitarist Bill Frisell plays it cool and lets the music guide him
Whether it is looking at the music of John Lennon or performing his own musical study of Big Sur, guitarist Bill Frisell says he really does not “have any kind of plan.”
It is the music and its direction that guide him, he says.
“I don't have any kind of long-term goal other than to stay healthy enough to keep doing this,” he says.
Frisell and a band with two players who are keys to his current creative stretch will perform their tribute to Lennon's music Sept. 7 at Shady Side Academy in Fox Chapel.
The band will included violinist Jenny Scheinman and lap-steel guitarist Greg Leisz, who were part of this look at the music of the late Beatle when it was born about six years ago. They will be joined by drummer Rudy Royston and bassist Tony Scherr.
Leisz and Scheinman also are featured on the recent “Big Sur” album. They were with Frisell on tour in Europe in 2007 when a promoter suggested they do a concert of music by Lennon.
“We started playing it and it felt really cool, really good,” he says. “When I began to think about it, I realized how immersed I always had been in Lennon's music.”
He explains how when the Beatles first became popular, he was in the early days of studying the guitar and playing some of the surf music that was then popular. Lennon and the Beatles turned him to their direction and their music and style stayed in his head — even if it was dominated by jazz classics.
“I spent all that time working on the music of (Thelonious) Monk and (Charlie) Parker,” he says. “I never saw Lennon's stuff as having the richness it does.”
When he and Leisz and Scheinman started playing Lennon's music on that European tour, they began to see how good the music is.
“We didn't reharmonize it or anything,” he says. “We just played it with all of the deepness that is ingrained in it.”
But the jazz-folk style that emerges on the Lennon album, “All We Are Saying,” gave the music a distinct and individual sound. There is a mellow, sometimes Appalachian tone to the music, but yet it is filled with current phrasing and rhythms.
Frisell, 62, has worked with a wide group of performers, from Elvis Costello and Rickie Lee Jones to jazz explorers Paul Motian and Julius Hemphill. Born in Baltimore, he grew up in Colorado and attended the University of Northern Colorado and the Berklee College of Music in Boston. He was quickly signed to the forward-looking ECM records, where his varied approach to music grew.
Even his appearances here have taken different forms. He once played at the Manchester Craftsmen's Guild, North Side, in a three-guitar setting with Earl Klugh and Russell Malone. He also appeared at the Rex Theater, South Side, in a concert — also with Leisz and Scheinman — that in some iterations featured work of a North Carolina photographer.
As with his choice of what music to play, he says he really does not plan on what material to feature. Concert promoters know what the musical possibilities are and request what seems the best for them, he says.
“I must be a nightmare for a booking agent,” he says.
Bob Karlovits is a staff writer for Trib Total Media. He can be reached at firstname.lastname@example.org or 412-320-7852.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Holiday albums from silly to somber fit most seasonal moods
- PSO ends year’s Grand Classics with Viennese masters
- Adele shines on ‘25’
- Electronic composer Troxum’s sound follows natural course
- For broadcaster Lee’s fans, Pittsburgh rock awards a waiting game
- Pittsburgh Symphony celebrates Thanksgiving with memorable ‘Waltz Tradition’