New mom Laura Veirs gets down to business on 'Warp and Weft'
‘Warp and Weft'
Laura Veirs (Raven Marching Band)
As she awaited becoming a mother for the second time, Laura Veirs got down to business on her ninth record ‘Warp and Weft” and came up with the most unique albums of her stellar career and one of her darkest and most agitated.
If you don't get the hang of that from the somber, hurting “America,” anything from a patriotic flag waver, then you're not paying attention. Even something like “Shape Shifter” feels dark, with winter approaching, but she expands her thinking on county-rich opener “Sun Song” (featuring Neko Case); the great “Finster Saw the Angels”; and the rousing, rocking “That Alice,” a tribute to Alice Contrane. This is arguably Veirs' best album.Go show her some love Sept. 23 at Club Cafe.
‘Loud City Song'
Julia Holter (Domino)
How you feel about Julia Holter's second record likely depends on your fame of mind and your level of patience. Holter is all over the map, she might seem pretentious, and her music isn't easy to embrace. But it's a lot of fun, it's rich with adventure, and it contains a level of creativity almost unmatched anywhere.
Holter can be jazzy and fluttery one moment, confrontational the next, and each track on “Loud City Song” has its own personality, from the lush, wondrous World” to the dreamy carnival madness of “Maxims I” and “II” to the weird and aquatic “This Is a True Heart.” Fans of My Brightest Diamond and St. Vincent might find value in Holter, one of this era's most perplexing musicians.
Sarah Neufeld (Constellation)
Sarah Nuefeld is best known as being the violin player for indie rock giants Arcade Fire, but that association shouldn't make you have certain expectations about her debut “Hero Brother.” This record is not a bombastic, heart-swelling adventure and is, instead, a personal, quiet effort based almost entirely on her violin playing.
The 11-track record puts Neufeld's playing and composition skills at the forefront, and you hear her expressive, emotional creations in a new way on these intriguing pieces, including the piercing title track, droning and swirling “Breathing Black Ground,” and dark and stormy closer “Below.”
Brian Krasman is a contributing writer for Trib Total Media.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- WXXP listeners, artists to recall ’80s indie-rock days at reunion show
- Pittsburgh Symphony Orchestra offers own tradition with ‘Waltz’
- Violinist, pianist join for evening of sonatas at Carnegie Music Hall
- Rocker Pink added new hue to City and Colour’s sound
- Electronic composer Troxum’s sound follows natural course
- Journey, Josh Groban shows set for First Niagara Pavilion
- Isaak doesn’t leave his wheelhouse, but it still sounds good
- Review: Hard-working Sanborn brings trademark sound to Manchester Craftsmen’s Guild
- Soldiers & Sailors concert set; free tickets available
- 1D wins big at AMAs, Dion pays tribute to Paris victims