Tunstall heads in a new direction on 'Invisible//Moon'
‘Invisible Empire//Crescent Moon'
KT Tunstall (Blue Note)
Scottish singer/songwriter KT Tunstall exploded onto the scene in 2004 with breakthrough single “Suddenly I See,” and she's delivered a handful of excellent pop albums in the ensuing decade. On latest effort “Invisible Empire//Crescent Moon,” Tunstall takes things in a different musical direction. In the aftermath of her father's death and divorcing her husband, the 38-year-old has crafted a more introspective, personal collection of tunes. The deluxe edition of the album features 17 tracks and well over an hour of music, with Tunstall especially effective on “Made of Glass,” “Carried,” “Yellow Flower,” “Crescent Moon,” “Feel It All,” “No Better Shoulder” and “The Boys of Summer.” Good stuff.
Tie These Hands (self-released)
The guys in Tie These Hands were still Nebraska high school seniors when they recorded their debut album in 2002. The indie rockers have struggled to expand their audience beyond the Midwest, yet enjoyed some success overseas with the 2011 release of “Come On” in Japan. Two years later, the record has made it to our shores and could, at long last, make Tie These Hands more of a known commodity. Though the band still has some work to do before getting my unqualified endorsement, this 11-track release features a few keepers in “Sunshine State,” “Pro Choice,” “Atlas,” “Lawnmower” and “377.”
Rudimental (Big Beat)
Bursting forth from the London underground music scene last year with infectious single “Feel the Love,” electronic four-piece Rudimental has been keeping dance clubs hopping with its intriguing blend of live instrumentation and digital programming. “Home” is a solid debut full-length and features a bevy of guest vocalists. Among the stronger entries on the 12-track release are the aforementioned “Feel the Love” (with John N Newman), the Emeli Sandé-aided tandem “More Than Anything” and “Free,” “Right Here” (featuring Foxes) and “Not Giving In” (with Newman & Alex Clare). See you on the dancefloor.
New York-based singer/rapper Richard Andrew is best known in music circles as Outasight and his career has been on a steady rise the past couple years. After three full-lengths in as many years, Outasight serves up four-track EP “Stay Gold” to tide fans over as the summer fades into fall. The five-track release is decidedly R-rated with its liberal use of four-letter words, but it's also a lot of fun. Opener “Hell Yea” sets the tone and Outasight score with “Losing My Cool,” “Tapedeck Blues” and “Satisfied.” Party on, y'all.
‘More in Love'
Mike Isberto (self-released)
Southern California singer/songwriter Mike Isberto is a talented guy with a pleasing voice and some decent writing chops. Unfortunately, his sound — at least evidenced by latest album “More in Love” — isn't unique enough to let Isberto stand out in a very crowded pack. I can hear shades of John Mayer, Jack Johnson and a few other artists on the seven-track release and I'm not sure Isberto establishes his own identity. That said, “More in Love” merits a few spins because songs like “True North,” “I Can't Sleep,” and “Perfect Day,” while not especially original, are pretty enjoyable.
Dave Keener (self-released)
Having knocked it out of the park on 2011's “The Easy Way,” singer/songwriter Dave Keener returns with almost as good followup “Slugger.” There's a nice power pop/pub rock vibe throughout a 12-track release that pays homage to the likes of Elvis Costello, Harry Nilsson and Nick Lowe. Uptempo gem “When” gets the party started and Keener scores with “Linear Larry,” “This Is Where I Came In,” “Second-Rate Rainbow,” “Mama Had a Bongo” and “Put That Baby Down.” It's time you got to know Dave Keener. Trust me.
Jeffrey Sisk is an editor for Trib Total Media. Reach him at 412-664-9161 ext. 1952, or firstname.lastname@example.org
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Budway’s ‘Candor’ is a sweet parting
- New Kids, TLC summer tour coming to Pittsburgh
- Review: Seger blends old, new hits for show at Consol Energy Center
- The classic sound of Gladys Knight and the Spinners endures
- Multi-talented DiFranco is done letting other people label her
- PSO’s return to classics mixed