Franco Harris to play ceremonial role in opera's 'Aida'
Pittsburgh Opera's season opening production of Giuseppe Verdi's “Aida,” which starts Oct. 12, will include singers, dancers, chorus, orchestra and one football legend.
Franco Harris will be “Champion of Champions,” a silent, ceremonial role, on Oct. 18 in the opera's Triumphal Scene in Act II, long a vehicle for opera companies to mount the biggest spectacle they can. In 2008, Pittsburgh Opera presented wrestler Bruno Sammartino in the same role.
The opera's production features three principal singers who have performed at the Metropolitan Opera in New York City: Latonia Moore as Ethipian princes Aida, Carl Tanner as her lover Egyptian general Radames, and Elizabeth Bishop as Egyptian princess Amneris, who loves Radames. Music director Anthony Walker will conduct.
Performances start at 8 p.m. Oct 12, 7 p.m. Oct. 15, 8 p.m. Oct. 18 and 2 p.m. Oct. 20 at the Benedum Center, Downtown. Admission is $12.75 to $155.75
Details: 412-456-6666 or www.pittsburghopera.org
— Mark Kanny
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Musical box sets run the gamut this holiday season
- Brickman happily adds to pile of Christmas albums
- U.S. co-opted Cuba’s hip-hop scene to spark change
- Ross native Jamison not ‘The Voice,’ but he’ll pursue dream