Pittsburgh's Blues Orphans passionate about singing the Yinzer blues
Bob and Andy Gabig have been drifting around from club to club for decades like a pair of rootless orphans.
Blues Orphans, to be exact.
“That's what this guy called us once,” Bob Gabig says with a laugh. “Sort of denigrating us. But it was the truth.”
The family size of the orphans varies, and a nine-person group will perform in a CD-release gig Nov. 22 at the James Street Gastropub & Speakeasy in the North Side. They are celebrating the current album, “Hystericana.”
The Blues Orphans are a bit of Yinzer culture that turns hip-hop songs into polkas and “King of the Road” into heavy metal. They also examine the risks of visits to Rivers Casino “ 'cause that's where all the money goes.”
The band always features guitarist Bob and his brother, harmonica player Andy, both from Bellevue. But it sometimes has a horn section of cornetist Mark Custer, trumpeter Ian Gordon, Hill Jordan on trombone and Nelson Harrison, inventor of the trombetto, a trombone-cornet hybrid.
“This is one of the most-fun bands I've ever played in,” Harrison says.
The group at James Street also will feature Dave Yoho on drums, Dave Erny on string bass and Roger Day on tuba.
Bob and Andy agree their music is rooted in the Irish-country- bluegrass fascination of family members. But, they say, they have a deep love of the blues, which they have added to the other sounds.
They say they often go to blues-based clubs and hang around with performers to get ideas and guidance.
“You can learn a lot from those guys just by sitting around and talking,” Bob says
Andy, though, says there is a more-important element to the band.
“Bob's pen is the benchmark of the band,” he says.
Bob says he simply tries to write songs that are fun and have some sort of meaning beyond contemporary compositions.
“People today are writing songs about having an omelet,” he says.
Compositions with a message sometimes have a drawback, Andy says.
“Those songs pass right over the head of some audience members,” he says. “But that's OK.”
Bob says he and Andy started drifting club to club around 1974, providing music whenever they got the chance. It was during one of those sessions that they got the orphans moniker and, about 1983, he says, they decided to form a band instead of being an impromptu duo.
In the early days, the band featured local bluesman Wil E. Tri, who also plays harmonica.
“He and Andy were both learning harmonica then, so they were giving each other lessons and coming at it from different angles,” Bob says. “But then he left. Who needs two harmonica players? But he is like a member of the family.”
Since then, the band has taken on many sizes and shapes. It can be a quartet. Or it can have its horn section.
One thing is always true, Harrison says.
“We love to entertain,” he says. “We are always cracking ourselves up, because we don't know what is going to happen next.”
Bob and Andy work hard to keep the band rooted in Pittsburgh. They don't want to spend time on the road or make the band something marketable by music promoters.
“I love music, but I just hate the music industry,” Bob says.
He has a rather practical reason, too.
“We just like being so down-to-earth, there is little room for us to fall,” he says.
Bob Karlovits is a staff writer for Trib Total Media. He can be reached at email@example.com or 412-320-7852.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Gaffigan brings magic of ‘Wagner’s Good Friday’ to Pittsburgh Symphony Orchestra
- New Kids, TLC summer tour coming to Pittsburgh
- PSO’s return to classics mixed
- Linkin Park more focused on music than charts
- The classic sound of Gladys Knight and the Spinners endures
- Review: ‘Rodelinda’ a big success for Pittsburgh Opera
- Budway’s ‘Candor’ is a sweet parting
- Luke Bryan plans 2 shows this summer at First Niagara Pavilion
- Review: Seger blends old, new hits for show at Consol Energy Center