Pop star Perry brings high-energy world tour to Consol
It was all neon wigs, elaborate costumes and giddy energy.
And that was just the audience.
But it was Katy Perry who brought all that and more Tuesday night to Consol Energy Center with her Prismatic World Tour.
Perry started her set with her Grammy-nominated hit “Roar,” while donning a metallic dress with light-up lining — the first of many costume changes. Her neon-clad dancers acted as warriors and tailed her around the heart-shaped stage, which included a treadmill-like catwalk on the side.
Dance tracks showcased Perry's signature high-energy, sugary fun persona, including her self-worth anthem “Part of Me” and a guitar-riff heavy “I Kissed A Girl,” Perry's first hit.
Perry's fashion did not disappoint, and included a lavender Egyptian inspired look, a flowing butterfly-embroidered gown and a smiley-face ensemble. Her wigs ranged from short black to cascading rainbow.
During her first chat with crowd members, Perry encouraged them to “be in the moment, because it could be the best moment of your life,” before launching into “This Moment” from “Prism.”
An Egyptian theme carried throughout the next segment, which included a bass-thumping “Dark Horse” featuring an actual dancing puppet horse controlled by dancers. A cat-themed series followed and featured Perry in a literal catsuit complete with pink ears and tail singing a jazzy version of “Hot N Cold.”
Perry showcased her vocal talent in the slower, more stripped-down moments, such as “By the Grace of God” and an acoustic “The One That Got Away.”
The energy picked back up toward the end with her current hit “Birthday,” concluding with a sea of confetti, then an encore of “Firework.”
The set made creative use of the prism theme, with scaffolding in a triangle shape taking up part of the stage and later dangling in the air as aerial dancers hung from it by their feet — the first of several high-flying effects. Even the musicians got air born later in the show, sending sparks shooting out of their guitars high above the crowd.
Opening the show was Ferras, who Perry signed as the first artist to Metamorphosis Music, a subsidiary of her label Capitol Records. His sound, a mix of edgy angst and Prince-like pop, made for an entertaining short set and got the crowd engaged.
Next up was Capital Cities, who got people out of their seats with their upbeat energy and radio hit “Safe and Sound.” They also paid homage to Madonna with a “Holiday” cover, a perfect choice to please this particular audience.
At one point during her set, Perry thanked the crowd for letting her do what she does before dedicating “Unconditionally” to all her KatyCats. Judging by this crowd's enthusiasm, it's clear they'll keep letting her do this for years to come.
Rachel Weaver is a staff writer for Trib Total Media. She can be reached at 412-320-7948 or email@example.com.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Steelers notebook: Linebacker Timmons hoping for contract extension
- Steelers plan to use smart pass rush against Seattle QB Wilson
- Four helicopters respond to Route 51 crash in Rostraver
- Miami (Fla.) gets prepared to take on ‘physical’ Pitt team
- Penguins 4th line is showing promise
- France honors attack victims in city subdued by mourning
- LB Kwiatkoski sentimental about WVU traditions entering final home game
- Despite injuries, Penn State’s Nelson ‘thankful’
- School lunch group hopes to revise rules it calls impractical, too restrictive
- Western Pa. students bristle at changing menu choices
- Carrick crime ‘blitz’ shows early signs of success