Review: Feinstein's tribute to Sinatra proves he's a great entertainer
Michael Feinstein has won fame as singer and pianist, and affection too for reviving the great American songbook with devotion and integrity. Thursday night he was also a great entertainer.
Feinstein performed a tribute to Frank Sinatra with Marvin Hamlisch and the Pittsburgh Symphony Pops that showed why musical style is a much more potent way to evoke an artist than the mannerism of impressionists. He had great stories to tell about Sinatra and his songs, as well as ready wit to make it fun.
Yes, Feinstein did use some body language, swinging with the beat, and hand and arm gestures to the audience. But it felt real, a natural response to the music he was obviously into.
Vocally the singer was in top form. Hamlisch told him, "I've never heard you sound better." His voice was warm and appealing. It was lovely on softer sustained notes, and had winning power as well.
Hamlisch started the concert at Heinz Hall, Downtown, by saying it was about the Sinatra mood, "cool and laid back." Then he conducted the brash opening of an orchestral medley, "Salute to Ol' Blue Eyes" that showed the orchestra, especially the brass, came to play. But often when Feinstein was singing the brass was too loud. The engineer at the sound panel had the good taste not to over amplify the singer.
The voice came into play with "Luck Be A Lady," which Feinstein sang with rhythmic power. He belted out the finish standing on the top of the grand piano at the front center of the stage.
Feinstein also reveled in Sinatra's introspective style, never more so than in "Fly Me to the Moon." He was accompanied by guitarist Joe Negri and bassist Jeff Grubbs. Negri, who played a beautiful solo in the song, received such a big hand from the audience on his introduction that both Feinstein and Hamlisch joked about it. The rapport between the three performers was so close and sensitive that this song was a moment of magic.
The piano was put to its intended use in an instrumental fantasy on " Brazil" by Ary Barroso. Feinstein's performance was a reminder he began as a pianist and still has the chops. His rhythm was electric. He was also a fine ensemble player.
Highlights after intermission included "It's All Right With Me," which Feinstein said he enjoyed because it let him be a cad for three minutes. The Sinatra style was just right.
Even more memorable was "I Remember You," which the singer said was a tribute to Judy Garland by lyricist Johnny Mercer after their affair. The nuances of affection were beautifully evoked.
One of the most fascinating songs performed Thursday night was an act of imagination. Sinatra sang "Begin the Beguine" only in the '40s. The singer performed it in a Nelson Riddle style arrangement as Sinatra might have in the '50s.
The concert closed with a song Sinatra liked to sing when he was no longer young, "For Once in My Life." At its conclusion, the audience erupted in a standing ovation. Not the pro forma one often seen, but genuinely enthusiastic.
The encore was "New York, New York," which at its conclusion found Feinstein on top of the piano again.
Sinatra may have grown up in New Jersey, but he made it in New York and everywhere. This show will be a hit wherever Feinstein takes it.
Michael Feinstein's performances with the Pittsburgh Symphony Pops continue at 8 p.m. Friday and Saturday and 2:30 p.m. Sunday. Admission. $20-$99. Details: 412-392-4900
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- LaBar: WWE not backing down from controversy
- LCB, Duquesne University police recover rare bourbon in illegal sale
- Beloved North Side gardener gets new truck, paid for by her neighbors
- Kennametal plans plant closings, job cuts in fallout from oil and gas decline
- Stat dropoff, road struggles have Penguins seeking consistency
- 3 in Westmoreland charged in painkiller ring
- Rossi: In Super city, everything but football matters
- Driver leaps from sliding truck just before it topples down hillside in Fawn
- Heyl: Ice-covered anomaly floating in the Allegheny River presents mystery
- Pitt’s 2015 schedule includes 5 road games in 1st 7 games
- Slumping Pitt keeps chin up