PSO musicians enjoy Vienna during time off
By Mark Kanny
Published: Monday, November 5, 2012, 8:53 p.m.
Updated: Tuesday, February 19, 2013
After a tiring week of concerts in Vienna, some of which were broadcast on Austrian radio and also recorded for commercial release, Manfred Honeck and the Pittsburgh Symphony had Sunday off to recharge their batteries. They began the final leg of their European tour with a concert Monday night in Paris.
Performances Thursday featuring Wolfgang Amadeus Mozart's “Requiem” and Friday and Saturday of Gustav Mahler's “Resurrection” Symphony received enthusiastic and prolonged applause from the audiences at Vienna's famed Musikverein.
Concertmaster Noah Bendix-Balgley led the orchestra off stage after 15 minutes of applause following Mozart's “Requiem.” “They wouldn't stop clapping,” he said.
There also were lengthy ovations and multiple curtain calls after the Mahler performances.
There was even one woman who waved a Steelers Terrible Towel after a concert, Honeck said.
It was a particularly busy week for the conductor, who, in addition to leading four concerts, rehearsed the Vienna Singverein in the choral parts of the Mozart and Mahler.
He said the musicians were on the edge of their seats for the performances.
“The orchestra had a wonderful sound on the Friday concert, completely adapting to the hall. I think all the soloists were wonderful. Cindy (deAlmeida's oboe) solo in ‘Urlicht' was amazing. We know (principal trumpet) George Vosburgh has the ability to play all the dynamics. This was one of those concerts where he showed a lot of rounded colors in the chorales.”
Both Friday's and Saturday's performances of the Mahler symphony were recorded for release in Honeck's cycle of Mahler symphonies with the Pittsburgh Symphony.
Mahler reserves the chorus for the end of his symphony, when it makes the music's meaning explicit and contributes to powerful sonorities.
The Vienna Singverein was great, according to Bendix-Balgley.
The Pittsburgh Symphony's concertmaster used to visit Vienna when he lived in Germany, and rented an apartment near the Musikverein during the orchestra's residency at the hall.
“It was great to be back in this city,” he said. “It really is wonderful. We were obviously working quite hard, but we had time to explore the city and go to the cafes and eat well, too.”
Bendix-Balgley also took the opportunity to attend concerts on his days off. He heard Cecilia Bartoli singing baroque music, and Vienna Philharmonic concertmaster Rainer Honeck (the conductor's brother) solo in Igor Stravinsky's Violin Concerto.
Thursday night, Honeck hosted a party for the musicians in the park adjacent to the hotel in which they were staying, a park where Johann Strauss Jr. used to give concerts.
Mark Kanny is classical music critic for Trib Total Media. He can be reached at 412-320-7877 or firstname.lastname@example.org.
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