Sitarist Ravi Shankar was influential world musician
By The Washington Post
Published: Wednesday, Dec. 12, 2012, 6:12 p.m.
Ravi Shankar, the Grammy Award-winning Indian sitar virtuoso who became the world's leading representative of South Asian music, exerted a major influence on popular music in the 1960s and was the father of the jazz-pop musician Norah Jones, died Tuesday at a hospital near his home in Encinitas, Calif.
The musician had undergone heart valve replacement surgery last week, his family said. He was 92.
Shankar, who began his performing career as a young dancer, toured extensively as a musician after learning sitar from one of India's great musicians. The skill with which he played the traditional Indian stringed instrument inspired several pop and rock bands in the 1960s to incorporate the sitar, most notably the Beatles with its songs “Norwegian Wood” and “Within You, Without You.”
Shankar took his music to the stages of Carnegie Hall in New York and the Kennedy Center in Washington. The London and New York philharmonic orchestras performed his concerto compositions for sitar and orchestra. During the height of the countercultural music revolution of the 1960s, he also was in the lineups at the Woodstock music festival in Upstate New York and the Monterey Pop Festival in California.
In 1971, Shankar and Beatles guitarist George Harrison organized and played at a fundraising concert to aid the war and famine victims of Bangladesh, giving birth to the modern megastar benefit concert.
Besides Harrison, who was his best-known disciple, Shankar's musical collaborators over the years included jazz saxophonist John Coltrane, composer Philip Glass, cellist Mstislav Rostropovich and flutist Jean-Pierre Rampal. He composed music for film, radio and stage, including the score for Richard Attenborough's movie “Gandhi” (1982) and director Satyajit Ray's acclaimed “Apu Trilogy” in the 1950s.
Shankar's association with the Beatles made him a household name in the West and created “an avalanche of such experiments in the rock and pop world,” South Asian music authority Gerry Farrell once wrote. But first and foremost, Shankar remained an Indian classical musician who kept the core aesthetics of his ancient art intact in the face of social, artistic and commercial shifts during the 20th century.
One reason Shankar's music had such influence over audiences and musicians was the otherworldly quality of its tones and rhythms; the sitar produces more tones than a guitar and is based on a different theory of music. He became appalled at how this aspect of Indian music was integrated into what he called the vulgarity of rock theatrics and the association of his art with drug use.
At the 1967 Monterey Pop Festival in California, Shankar refused to be in the same evening's lineup with Jimi Hendrix because of the way the rock guitarist was using his instrument. Hendrix made sexual motions on stage with his guitar and then lit it on fire as a finale.
“People went gaga for it, they loved it,” Shankar told the London Guardian in 2008. “But for me, the burning of the guitar was the greatest sacrilege possible. I just ran out of there. I told them that even if I had to pay some kind of compensation to get out of playing the festival, I just couldn't do it.”
He added: “I was extremely unhappy about the superficiality of it all, especially the wrong information that Dr. Timothy Leary and others were propagating — that everyone in India takes drugs. It was a hodgepodge of Kama Sutra, Tantra, yoga, hash and LSD, while the true spiritual quality of our music was almost completely lost.”
Nonetheless, the spirit of Shankar's music was not lost on jazz saxophonist John Coltrane. Coltrane, who in midlife had a religious conversion that included the study of Hinduism, was fascinated by the tonal and rhythmic aspects of Indian music in general and by Shankar in particular. He even named his son Ravi after Shankar. (Ravi Coltrane became a prominent saxophonist.)
John Coltrane arranged to take lessons from Shankar, but the jazz musician died in 1967 a few weeks before he was to begin studying at Shankar's music center in Los Angeles.
Because of the influence Shankar exerted on musicians of all styles and nationalities, George Harrison called the sitarist the “godfather of world music.” In fact, Shankar was the father of three musicians: his son Shubhendra, an Indian classical musician and painter, who died in 1992; Anoushka, who often performed duets with her father; and Norah Jones, an eight-time Grammy Award-winner best known for her composition and performances of jazzy popular songs.
Shankar counted three Grammys among his honors. His album “West Meets East,” with violinist Yehudi Menuhin, won the 1967 award for best chamber music performance. Shankar shared the 1972 award for album of the year for “The Concert for Bangladesh,” which also featured Harrison, Bob Dylan and Eric Clapton. Shankar's “Full Circle: Carnegie Hall 2000” won the 2001 award for best world music album.
Shankar had a notoriously complicated private life. His marriage to Annapurna Devi ended in divorce and strained his relationship with her family. He entered into a relationship with dancer Kamala Shastri that lasted from the late 1960s to early 1980s, and he began an affair with the married Sukanya Rajan, who played the tanpura at his concerts and was 31 years his junior.
In the course of his touring, Shankar began a relationship with concert promoter Sue Jones, and the couple, in 1979, had a daughter, Geethali Nora Jones Shankar, better known as Norah Jones. Shankar had little role in raising his daughter, who failed to thank her father when she won multiple Grammys for “Come Away With Me” in 2003. They were reported to have reconciled in later years.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Mon Valley communities plan cleanup day activities
- U.S. Steel presents tuition scholarship money for Catholic education
- Dravosburg residents try to save PNC Bank from closing
- Carnegie Library of Homestead spotlighted in CNN iReport
- Jailed Hribal ‘fine,’ but family ‘terrible’ as answers in stabbing sought
- Starkey: Fleury’s future at stake
- Five years later, Crosby wants another Cup win
- Hempfield Area superintendent, business manager quit
- Pirates conclude wild suspended game with win, drop 2nd of series
- Forward officials announce furniture sale
- Pirates notebook: Wandy Rodriguez experiencing decline in fastball velocity