Country's George Jones blended power, emotion to become musical legend
NASHVILLE — When it comes to country music, George Jones was The Voice.
Other great singers have come and gone, but this fact remained inviolate until Jones passed away Friday at 81 in a Nashville hospital after a year of ill health.
“Today someone else has become the greatest living singer of traditional country music, but there will never be another George Jones,” said Bobby Braddock, the Country Music Hall of Fame songwriter who provided Jones with 29 songs over the decades. “No one in country music has influenced so many other artists.”
He did it with that voice. Rich and deep, strong enough to crack like a whip, but supple enough to bring tears. It was so powerful, it made Jones the first thoroughly modern country superstar, complete with the substance abuse problems and rich-and-famous celebrity lifestyle that included mansions, multiple divorces and — to hear one fellow performer tell it — fistfuls of cocaine.
He was a beloved and at times a notorious figure in Nashville and his problems were just as legendary as his songs. But when you dropped the needle on one of his records, all that stuff went away. And you were left with The Voice.
“He just knows how to pull every drop of emotion out of the songs if it's an emotional song or if it's a fun song he knows how to make that work,” Alan Jackson said in a 2011 interview. “It's rare. He was a big fan of Hank Williams Sr. like me. He tried to sing like Hank in the early days. I've heard early cuts. And the difference is Hank was a singer and he was a great writer, but he didn't have that natural voice like George. Not many people do. That just sets him apart from everybody.”
That voice helped Jones achieve No. 1 songs in five separate decades, 1950s to 1990s. And its qualities were admired by more than just his fellow country artists but by Frank Sinatra, Pete Townshend, Elvis Costello, James Taylor and countless others. “If we all could sound like we wanted to, we'd all sound like George Jones,” Waylon Jennings once sang.
In a career that lasted more than 50 years, “Possum” evolved from young honky-tonker to elder statesman as he recorded more than 150 albums and became the champion and symbol of traditional country music, a well-lined link to his hero, Williams.
Jones survived long battles with alcoholism and drug addiction, brawls, accidents and close encounters with death, including bypass surgery and a tour bus crash that he avoided by deciding only at the last moment to take a plane.
His failure to appear for concerts left him with the nickname “No Show Jones,” and he later recorded a song by that name and often opened his shows by singing it. His wild life was revealed in song and in his handsome, troubled face, with its dark, deep-set eyes and dimpled chin.
In song, like life, he was rowdy and regretful, tender and tragic. His hits included the sentimental “Who's Gonna Fill Their Shoes,” the foot-tapping “The Race is On,” the foot-stomping “I Don't Need Your Rockin' Chair,” the melancholy “She Thinks I Still Care,” the rockin' “White Lightning,” and the barfly lament “Still Doing Time.” Jones recorded several duets with Tammy Wynette, his wife for six years, including “Golden Ring,” “Near You,” “Southern California” and “We're Gonna Hold On.” He sang with such peers as Willie Nelson and Merle Haggard and with Costello and other rock performers.
But his signature song was “He Stopped Loving Her Today,” a weeper among weepers about a man who carries his love for a woman to his grave. The 1980 ballad, which Jones was sure would never be a hit, often appears on surveys as the most popular country song of all time and won the Country Music Association's song of the year award an unprecedented two years in a row.
Jones won Grammy awards in 1981 for “He Stopped Loving Her Today” and in 1999 for “Choices.” He was elected to the Country Music Hall of Fame in 1992 and in 2008 was among the artists honored in Washington at the Kennedy Center.
He was in the midst of a yearlong farewell tour when he passed away.
He had his first hit with “Why Baby Why” in 1955, and by the early ‘60s Jones was one of country music's top stars.
“I sing top songs that fit the hardworking, everyday loving person. That's what country music is about,” Jones said in a 1991 AP interview. “My fans and real true country music fans know I'm not a phony. I just sing it the way it is and put feeling in it if I can and try to live the song.”
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