Chicago's Field Museum struggles to balance financial woes with growth, research
CHICAGO — Matt von Konrat is animated as he talks about a plant specimen pulled from the vast botanical collection at the Field Museum of Natural History. Documentation shows it was collected in 1996 in a Colombian rainforest and tested for compounds that might be used to treat HIV, AIDS or cancer.
“Imagine if you made some amazing drug discovery,” von Konrat says, sweeping an arm toward cabinets holding some of his department's more than 3 million specimens, including ones collected by famed navigator Capt. James Cook in the 1770s. “You would know exactly where (the plant) came from and its exact identity” so you could find it again.
Best known for impressive public displays such as Sue, the towering Tyrannosaurus rex that greets visitors in the lobby of its Lake Michigan campus, the Field Museum's larger mission always has been behind-the-scenes research on its 25 million-piece — and growing — collection of birds, mammals, fish, plants, fossils and artifacts. Field scientists travel the globe to retrieve specimens that could produce medicines, document the effects of climate change or explain the secrets of genetics.
But the 120-year-old museum, founded during the 1893 World's Columbian Exposition and named for department store magnate Marshall Field, is setting the scientific world abuzz for another reason.
Faced with almost $170 million in debt, the museum is cutting next year's research budget 20 percent, including by shrinking its science staff and merging departments. While natural history museums across the United States are under pressure to stay relevant to the public, the Field stands out for its financial woes, experts say, and for speculation over whether the problems will affect its future as a pre-eminent research center.
“It's one of the great natural history museums of the world and has been for a very long time ... but it's on the verge of not being so important,” said Michael Donohue, curator of the botany department at Yale University's Peabody Museum.
Since the beginning of the year, the museum's anthropology, botany, geology and zoology departments have been merged into a single unit, and by the end of the year, its science staff likely will have been cut to 152, down from 170 earlier this year. That includes the loss of six of 27 curators, with two others still considering whether to leave.
The museum's financial problems stem from a decision over a decade ago to issue $90 million in bonds for construction projects that included a subterranean storage center for much of its collection. The museum's board assumed it could raise enough money through a capital campaign to keep the museum on solid footing.
But when that didn't happen, it had to begin dipping into its endowment. Finally, in December, the museum announced that it would cut $5 million from its budget — $3 million of that from the science program — and would try to raise its endowment by $100 million.
Richard Lariviere, who took over as Field president in October, said the museum's troubles, though real, are overstated, and the museum will emerge stronger within two years.
“We have financial challenges, but ... we're in very good shape,” he said.
The reorganization, he said, will allow the museum to focus on the most important research and foster more collaboration among scientists, as well as encourage more outside researchers to use the collections. “We want even more people to come than have done in the past.”
As an attraction, the Field also will also build visible laboratories where the public can watch and interact with scientists.
“I can't say it's been a pain-free process, but I think (the changes) are going to be great,” and expand research opportunities, said Corine Vriesendorp, a plant ecologist at the Field.
But others say it is doubtful the institution can sustain the same level of scientific inquiry or stage the most innovative exhibits.
“A good reputation and a good, quality program take decades to build, but it's taken just six months,” to damage both, said Mark Westneat, a 22-year Field veteran who was chairman of the former zoology department and whose research focuses on threats to coral reefs.
“I love this place, but there has been a needless ripping apart and disrespecting what I have loved over the years,” said Westneat, who's negotiating with a university to move his laboratory there.
In the past, Field scientists used a decades-old collection of peregrine falcon eggs to draw a direct correlation between the use of DDT and thinning eggshells, leading to the pesticide's ban. They've helped indigenous communities in Ecuador reclaim land damaged by oil drilling.
Donohue, the Peabody curator, said museums and universities rely on each other's research to make scientific discoveries and advancements.
“To suddenly lose (scientists from) an important institution like the Field hurts the overall effort,” including such things as mapping where specimens are found, Donohue said.
Carroll Joynes, co-founder of the University of Chicago's Cultural Policy Center, said all museums must take risks to stay fresh, but the Field took a big financial gamble.
“Then if it does not come true, you're caught in a horrible expense bind,” said Joynes, adding that he believes the museum is now in good hands.
The museum says it has identified all of the cuts it needed. The endowment campaign has not yet begun.
Lariviere said the Field always will put research first because that's “why people find us valuable and interesting. Otherwise we'd just be a cabinet of curiosities.”
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Tribune-Review poll: Cable news rises as network news falls
- Maryland’s Senator Mikulski announces retirement
- Carnegie Mellon expert to school Congress on security
- Dems keep blocking joint negotiations on immigration orders
- EPA ripped for evading request for information
- Several states in path of wintry blasts
- Lawmakers press Veterans Affairs for improved access to rural health care
- 8 Amish in Ohio hair-cutting attacks to serve lesser sentences
- Supreme Court justices split on states’ panels to prevent gerrymandering
- IRS audits of businesses reach 8-year low
- Clinton portrait refers to Lewinsky scandal, Philadelphia artist says