'Million Dollar Quartet' an amazing glimpse into music history
"Million Dollar Quartet" definitely is the perfect fly-on-the-wall experience for those who would have loved to have occupied the same space and time as Elvis Presley, Carl Perkins, Johnny Cash or Jerry Lee Lewis for one amazing evening in December 1956.
Without benefit of a working time machine nor a slingshot effect around the sun a la Star Trek, the musical playing at the Benedum Center through Sunday is the best bet for imaging what it would have been like to breathe the same air as those talented gentlemen.
I've been to tribute band concerts, several "Rat Pack" concerts and shows, but nothing compares to this experience. If you close your eyes, you'll feel like you're right there in the room with these legendary performers and Sun Records owner Sam Phillips, who discovered each of them and launched their careers.
What's even more amazing, the jam session depicted actually occurred, with a famous photograph and some audio from that historic night.
Careful casting was essential to make the show work, because the actors not only have to sing through 23 musical numbers, they all have to excel in playing their own instruments " three guitars and a piano " backed up by Chuck Zayas as bass player Jay Perkins and Billy Shaffer as Fluke on drums.
Musical numbers include "Blue Suede Shoes," Folsom Prison Blues," "Long Tall Sally" and "Great Balls of Fire."
Just so everyone was on the same page, it was made quite clear to the audience at the beginning of Tuesday's opening night show that the playing was in real time.
Derek Keeling as Johnny Cash might be the only performer some may recognize for his role on the 2007 reality TV show "Grease: You're the One That I Want" as he competed for the role of Danny Zuko in a Broadway revival of "Grease" produced and directed by Pittsburgh native Kathleen Marshall.
That exposure to Keeling could not begin to prepare someone to hear him as the Man in Black. He talked the talk, walked the walk, and an incredible booming bass-baritone was the result. Close your eyes and you'll swear you hear Johnny Cash.
Cody Slaughter oozes Elvis, with his looks, gyrations and vocalizations appropriate to the King in 1956 " and a delight to the eye and ear. According to his bio, Slaughter hails from Harrison, Ark., and was named Elvis Presley Enterprises' Ultimate Elvis Tribute artist of 2011. Lucky for the audience, he is making his theater debut in the role.
Lee Ferris also is making his national touring debut in the role of Carl Perkins, the first of the quartet to make an appearance onstage. He does a great job all around and is essential to make sure the four main characters gel throughout the non-intermission show.
Martin Kaye is a sight to behold as Jerry Lee Lewis. He's got Lewis' mannerisms down pat, including the incredible energy Lewis is famous for as he appears to bang away at the keyboard, constantly bouncing up and down on the piano bench " or standing up, or reaching behind his back. He also provides lots of comic relief and blends perfectly with the rest of the gang.
Christopher Ryan Grant is the glue that keeps the whole show connected in a mostly narrator role as Phillips. He also plays a mean harmonica!
Lending a decidedly feminine touch is Kelly Lamont as Dyanne, who shows up at the studio with Elvis. Although identified as his girlfriend, Elvis makes it clear she's a great singer on her own.
Fans of musicals and any of the singers/musicians depicted should add "Million Dollar Quartet" to their must-see list.
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Big plays cost Steelers defense in preseason loss at Bills
- Steelers notebook: Tomlin mum on Bryant suspension
- Rossi: Beleaguered Steelers need MVP from Big Ben
- Pirates, Cubs to make up postponed game Sept. 15
- Pitt star running back Conner remains grounded despite success
- QB Vick hits ground running in debut
- Happ’s strong start, Ramirez’s homer pace Pirates past Rockies
- Patience serves as virtue amid prospect Glasnow’s quest for majors
- Architecture: Pittsburgh history in 10 houses
- Man charged in East Liberty robbery
- Pirates notebook: Hurdle’s faith in Polanco pays off