Manchester Craftsmen's Guild's jazz concert aims for the soul of Ella
Singer Kim Nazarian admits it is "daunting" to be involved in any musical project that invokes the name or memory of Ella Fitzgerald, one of the best vocalists ever in jazz.
But she is excited about the prospect of doing it this weekend in the North Side.
"It is just great to present music that once was Ella's and now is the material that is playing a role with all of us," says one of the stars of the New York Voices quartet and a McCandless resident.
Nazarian will be the vocal star of "A Tribute to Ella Fitzgerald," which also will feature the Smithsonian Jazz Masterworks Orchestra, led by jazz educator David Baker from the University of Indiana in Bloomington.
Ken Kimery, executive producer of the Masterworks orchestra, says the effort is a cooperative venture between Manchester Craftsmen's Guild, the Smithsonian and the Ella Fitzgerald Charitable Foundation, which is a funder of the project.
"It is a look at the depth of her repertoire and the variety of the material, which was vast," he says.
One of the strongest aspects of the show is that many of the arrangements are transcriptions of recordings from the Smithsonian or from arrangements that are now part of the Smithsonian's American History Museum.
But the show will take other musical directions as well.
• It also will feature new arrangements by Mike Tomaro, head of jazz studies at Duquesne University, one of which will be a new look at the "A-Tisket, A-Tasket."
• Nazarian and the band, which will include saxophonist Darmon Meader from the New York Voices, also will do the group's version of "Lady Be Good."
•Trumpeter Sean Jones, the national recording star who teaches at Duquesne, will get a vocal spot with Nazarian on "Let's Call the Whole Thing Off."
Kimery says he and Marty Ashby, executive producer of the Guild's MCG Jazz, came up with the idea of the tribute when pondering the possibility of doing a show using some of the Smithsonian's musical-historical material. Between material in the Smithsonian and the Library of Congress, a rich amount was available for a look at the singer (1917-96), who was a leading force in the vocal-improvisation style known as scat-singing.
Kimery says her work creates "moments of resonance" through performances with the Count Basie and Duke Ellington orchestras and with bassist Ray Brown, the Pittsburgh native to whom she was married for four years.
When they were putting the show together, Kimery says, they came up with the idea of using Nazarian as the singer because of her range and vocal power.
But he and she both say doing any sort of imitation of Fitzgerald is an action doomed to failure. Nazarian says she simply is trying to present great music and what the singer means to her.
"It is a great test but also quite an honor," she says.Additional Information:
A Tribute to Ella Fitzgerald
Featuring: Kim Nazarian and the Smithsonian Jazz Masterworks Orchestra
When: 8 p.m. Saturday and 2:30 p.m. Sunday
Where: Manchester Craftsmen's Guild, 1815 Metropolitan St., North Side
Show commenting policy
TribLive commenting policy
You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.
We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.
While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.
We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers.
We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.
We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.
We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.
We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.
- Pirates notebook: Street a possible target for Bucs
- Sought-after Etna painter mixes love of dogs, outdoors and art
- Regional manager remains positive about Century III Mall’s future
- Stock market closes higher, logs biggest weekly drop since April
- Thomas Jefferson grad killed in Washington state died of gunshot wound to head, authorities say
- Scaife donates art to Brandywine, Westmoreland art museums
- Pittsburgh actress juggles series role, music career
- Westmoreland County fireman dies after motorcycle crash
- The ’Burgh is hip, according to Esquire
- Some of the top prospects in Penguins system to be in town for camp
- Turzai calls on Corbett to take on pension reform, liquor store privatization