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'Bohemian Rhapsody' upsets 'A Star Is Born' at Golden Globes

| Monday, Jan. 7, 2019, 6:57 a.m.
This image released by NBC shows Rami Malek accepting the award for best actor in a motion picture drama for his role as Freddie Mercury in a scene from “Bohemian Rhapsody” during the 76th Annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 6, 2019, in Beverly Hills, Calif. (Paul Drinkwater/NBC via AP)
This image released by NBC shows Rami Malek accepting the award for best actor in a motion picture drama for his role as Freddie Mercury in a scene from “Bohemian Rhapsody” during the 76th Annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 6, 2019, in Beverly Hills, Calif. (Paul Drinkwater/NBC via AP)
This image released by NBC shows Christian Bale accepting the award for best actor in motion picture musical or comedy for his role in “Vice” during the 76th Annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 6, 2019, in Beverly Hills, Calif. (Paul Drinkwater/NBC via AP)
This image released by NBC shows Christian Bale accepting the award for best actor in motion picture musical or comedy for his role in “Vice” during the 76th Annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 6, 2019, in Beverly Hills, Calif. (Paul Drinkwater/NBC via AP)
Olivia Colman poses in the press room with the award for best performance by an actress in a motion picture, musical or comedy for “The Favourite” at the 76th annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 6, 2019, in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)
Jordan Strauss/Invision/AP
Olivia Colman poses in the press room with the award for best performance by an actress in a motion picture, musical or comedy for “The Favourite” at the 76th annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 6, 2019, in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)
Glenn Close poses in the press room with the award for best performance by an actress in a motion picture, drama for “The Wife” at the 76th annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 6, 2019, in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)
Jordan Strauss/Invision/AP
Glenn Close poses in the press room with the award for best performance by an actress in a motion picture, drama for “The Wife” at the 76th annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 6, 2019, in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)

NEW YORK — Thunder bolt and lightning rocked the 76th Golden Globes where a string of upsets culminated with the Freddie Mercury biopic “Bohemian Rhapsody” winning best picture, drama, over another movie about musicians: Bradley Cooper’s much more heavily favored “A Star Is Born.”

“A Star Is Born” came into Sunday’s ceremony at the Beverly Hilton Hotel in Beverly Hills, California, as the presumed heavyweight and Oscar favorite. But Cooper’s remake went home with just one award, for the song “Shallow.” Instead, the night’s final two awards went to “Bohemian Rhapsody” — the popular but poorly reviewed drama about Queen’s frontman, a movie that wrapped after jettisoning its director, Bryan Singer — and best actor-winner Rami Malek for his full-bodied, prosthetic teeth-aided performance as Mercury.

“Thank you to Freddie Mercury for giving me the joy of a lifetime,” said Malek. “This is for you, gorgeous.”

Few nominees were considered more of a sure thing than Lady Gaga as best actress in a drama. But Glenn Close pulled off the shocker in that category, too, for her performance in “The Wife,” as the spouse of a Nobel Prize-winning author. Met with a standing ovation, Close said she was thinking of her mother, “who really sublimated herself to my father her whole life.”

“We have to find personal fulfillment. We have to follow our dreams,” said Close, drawing still louder cheers from women in the crowd. “We have to say I can do that and I should be allowed to do that.”

It’s Close’s second Globe in 14 nods. She’s never won an Oscar.

A year after Oprah Winfrey’s fiery anti-Donald Trump speech at the Globes, politics were largely absent from the ceremony before Christian Bale took the stage for winning best actor in a musical or comedy for his lead performance in Adam McKay’s “Vice.” He thanked the antichrist.

“What do you think? Mitch McConnell next?” joked the Welsh-born actor, referring to the Senate’s majority leader. “Thank you to Satan for giving me inspiration for this role.”

Co-hosts Sandra Oh and Andy Samberg opened the Globes, put on by the Hollywood Foreign Press Association, on a note of congeniality, including a mock roast of attendees and a string of jokes that playfully critiqued Hollywood. Oh performed an impression of a sexist caveman film executive who casts like the title of Damien Chazelle’s Neil Armstrong drama: “First … man!”

Noting the success of “Crazy Rich Asians,” Oh alluded to films with white stars in Asian roles like “Ghost in the Shell” and “Aloha,” the latter of which prompted Emma Stone, who starred in “Aloha,” to shout out “I’m sorry!” from the crowd.

But Oh, who later also won for her performance on the BBC America drama series “Killing Eve,” closed their opening monologue on a serious note explaining why she was hosting.

“I wanted to be here to look out at this audience and witness this moment of change,” said Oh, tearing up and gazing at minority nominees in attendance. “Right now, this moment is real. Trust me, this is real. Because I see you. And I see you. All of these faces of change. And now, so will everyone else.”

Some of those faces Oh alluded to won. Mahershala Ali, whom the foreign press association overlooked for his Oscar-winning performance in “Moonlight,” won best supporting actor for “Green Book.” While the Globes, decided by 88 voting members of the HFPA, have little relation to the Academy Awards, they can supply some awards-season momentum when it matters most. Oscar nomination voting begins Monday.

Arguably the biggest boost went to “Green Book,” Peter Farrelly’s interracial road trip through the early ’60s Deep South, which has struggled to catch on at the box office while coming under harsh criticism for relying on racial tropes. It won best film, comedy or musical, and best screenplay. “If Don Shirley and Tony Vallelonga can find common ground, we all can,” said Farrelly, the director best known for broader comedies like “There’s Something About Mary.”

The year’s biggest domestic box-office hit, “Black Panther,” went unrewarded, though presenters Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o and Danai Gurira took a moment, in unison, for a shout of “Wakanda Forever!”

As expected, Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt won best song for the signature tune from “A Star Is Born.” At the time, it seemed like just the first of a handful of awards for “A Star Is Born.”

“Can I just say that as a woman in music, it’s really hard to be taken seriously as a musician and as songwriter and these three incredible men, they lifted me up,” Gaga said.

Though the Globes are put on by foreign journalists, they don’t including foreign language films in their two best picture categories (for drama and musical/comedy). That left Netflix’s Oscar hopeful, Alfonso Cuaron’s memory-drenched masterwork “Roma” out of the top category. Cuaron still won best director and the Mexican-born filmmaker’s movie won best foreign language film.

“This film would not have been possible without the specific colors that made me who I am,” said Cuaron. “Gracias, familia. Gracias, Mexico.”

Netflix also won numerous awards for the series “The Kominsky Method,” which won both best actor in a comedy series for Michael Douglas (he dedicated the honor to this 102-year-old father, Kirk Douglas) and for best comedy series over favored nominees like “The Marvelous Mrs. Maisel” (whose star, Rachel Brosnahan still won) and “Barry.”

“Netflix, Netflix, Netflix,” said series creator Chuck Lorre.

Olivia Colman, expected to be Lady Gaga’s stiffest competition when the two presumably go head-to-head at the Oscars — though Close may now make it a three-way race — won best actress in a comedy/musical for her Queen Anne in the royal romp “The Favourite.” ”I ate constantly throughout the film,” said Colman. “It was brilliant.”

Best supporting actress in a motion picture went to the Oscar front-runner Regina King for her matriarch of Barry Jenkins’ James Baldwin adaptation “If Beale Street Could Talk.” In her acceptance speech, King spoke about the Time’s Up movement and vowed that the movie crews of everything she produces in the next two years will be half women. She challenged others to do likewise.

“Stand with us in solidarity and do the same,” said King, who was also nominated for the TV series “Seven Seconds.”

A year after the Globes were awash in a sea of black and #MeToo discussion replaced fashion chatter, the red carpet largely returned to more typical colors and conversation. Some attendees wore ribbons that read TIMESUPx2, to highlight the second year of the gender equality campaign that last year organized the Globes black-clad demonstration. Alyssa Milano, the actress who was integral in making #MeToo go viral, said on the red carpet that in the past year a “really wonderful sisterhood has formed.”

“Spider-Man: Into the Spider-Verse” won for best animated film. Ryan Murphy’s “The Assassination of Gianni Versace: American Crime Story” won for both best limited series and Darren Criss’ lead performance.

For its sixth and final season, FX’s “The Americans” took best drama series over shows like Amazon’s conspiracy thriller “Homecoming” and Oh’s own “Killing Eve.” Richard Madden, the breakout star of the terrorism suspense series “Bodyguard,” won best actor in a drama series. Ben Wishaw took best supporting actor in a limited series for “A Very English Scandal.”

The press association typically likes having first crack at series that weren’t eligible for the prior Emmys. They did this year with not just “The Kominsky Method” and “Bodyguard” but also the Showtime prison drama “Escape at Dannemora.” Its star, Patricia Arquette, won for best actress in a limited series.

Last year’s show, like a lot of recent awards shows, saw ratings decline. Some 19 million tuned in to the Seth Meyers-hosted broadcast, an 11-percent decline in viewership. This year, Globes broadcaster NBC has one thing in its favor: an NFL lead in. NBC aired the late afternoon nail-biter between the Chicago Bears and the Philadelphia Eagles, likely delivering the network a huge audience.

Jeff Bridges received the Globes’ honorary Cecil B. DeMille Award. In remarks about everything from Michael Cimino to Buckminster Fuller and, of course, to his “Big Lebowski” character the Dude, Bridges compared his life to a great game of tag. “We’ve all been tagged,” said Bridges. “We’re alive.” He ended by “tagging” everyone watching. “We can turn this ship in the way we want to go, man,” said Bridges.

A similar television achievement award was also launched this year, dubbed the Carol Burnett Award. Its first honoree was Burnett, herself.

“I’m kind of really gob-smacked by this,” said Burnett. “Does this mean that I get to accept it every year?”

List of winners:

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA: Glenn Close for “The Wife”

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA: Rami Malek, for “Bohemian Rhapsody”

BEST MOTION PICTURE – MUSICAL OR COMEDY: “Green Book”

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY: Olivia Colman, for “The Favorite”

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY: Christian Bale, for “Vice”

BEST MOTION PICTURE – ANIMATED: “Spider Man: Into the Spider-Verse”

BEST MOTION PICTURE – FOREIGN LANGUAGE : “Roma” (director Alfonso Cuarón, Mexico)

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE: Regina King, for “If Beale Street Could Talk”

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE: Mahershala Ali, for “Green Book”

BEST DIRECTOR – MOTION PICTURE: Alfonso Cuarón, for “Roma”

BEST SCREENPLAY – MOTION PICTURE: “Green Book”

BEST ORIGINAL SCORE – MOTION PICTURE: Justin Hurwitz, for “First Man”

BEST ORIGINAL SONG – MOTION PICTURE : “Shallow,” from “A Star is Born”

BEST TELEVISION SERIES – DRAMA: “The Americans”

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA: Sandra Oh, for “Killing Eve”

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA: Richard Madden, for “Bodyguard”

BEST TELEVISION SERIES – MUSICAL OR COMEDY: “The Kominsky Method”

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY: Rachel Monahan, for “The Marvelous Mrs. Maisel”

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY: Michael Douglas, for “The Kominsky Method”

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION LIMITED SERIES OR FILM MADE FOR TELEVISION: Patricia Arquette, for “Escape from Dannemora”

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION LIMITED SERIES OR FILM MADE FOR TELEVISION: Darren Criss, for “The Assassination of Gianni Versace”

BEST PERFORMANCE BY A SUPPORTING ACTOR IN A TELEVISION LIMITED SERIES OR FILM MADE FOR TELEVISION: Ben Wishaw, for “A Very English Scandal”

BEST PERFORMANCE BY A SUPPORTING ACTRESS IN A TELEVISION LIMITED SERIES OR FILM MADE FOR TELEVISION: Patricia Clarkson, for “Sharp Objects”

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