ShareThis Page
Art & Museums

Westmoreland Museum exhibit explores 'Emigration-Immigration-Migration'

Mary Pickels
| Friday, Jan. 12, 2018, 8:57 p.m.
Photo from 'Immigrant Series, 2017,' by Scott Goldsmith. Series includes documentation of a family of newly arrived Bhutanese refugees as they make their home in Pittsburgh.
Scott Goldsmith
Photo from 'Immigrant Series, 2017,' by Scott Goldsmith. Series includes documentation of a family of newly arrived Bhutanese refugees as they make their home in Pittsburgh.
This photograph by Nate Guidry shows Brianna Ibarra Romana, 7, and her father Jose Luis Ibarra enjoying the games at Dave and Busters. Guidry's work focues on the Latino community through the story of a Mexican single father of two in Brookline.
Nate Guidry
This photograph by Nate Guidry shows Brianna Ibarra Romana, 7, and her father Jose Luis Ibarra enjoying the games at Dave and Busters. Guidry's work focues on the Latino community through the story of a Mexican single father of two in Brookline.
Annie O'Neill's large-scale portraits pair up long-term immigrants with new arrivals who each have something in common beyond their status as immigrants. Mounia Alaoui-El-Azher was born in Morocco and arrived in the U.S. in 2001. Ame Koffi was born in Togo and arrived in the U.S. in 2009. Both are Muslim.
Annie O'Neill
Annie O'Neill's large-scale portraits pair up long-term immigrants with new arrivals who each have something in common beyond their status as immigrants. Mounia Alaoui-El-Azher was born in Morocco and arrived in the U.S. in 2001. Ame Koffi was born in Togo and arrived in the U.S. in 2009. Both are Muslim.
Michael Nduwimana from Sierra Leone through Tanzania (refugee camps) with his wife, Capitoline, and daughter. Photographer Lynn Johnson's images include portraits of new citizens, representing an effort to see and know our newest citizens.
Lynn Johnson
Michael Nduwimana from Sierra Leone through Tanzania (refugee camps) with his wife, Capitoline, and daughter. Photographer Lynn Johnson's images include portraits of new citizens, representing an effort to see and know our newest citizens.
Brian Cohen's photographs highlight the ethnic social clubs, community centers, groceries and religious temples in which immigrant communities have matured and become Americans.
Brian Cohen
Brian Cohen's photographs highlight the ethnic social clubs, community centers, groceries and religious temples in which immigrant communities have matured and become Americans.

Pittsburgh photographer Annie O'Neill says finding subjects to pair for photographs in the upcoming exhibit "Emigration-Immigration-Migration: Five Photographic Perspectives" at The Westmoreland Museum of American Art was not difficult.

"It's actually not hard to find people. I've gotten an education, too. There are tons of immigrants contributing vastly to the Pittsburgh area," says O'Neill, 51.

Programming and exhibits for the event, which features 116 submissions from five Pittsburgh photographers, will engage viewers through the experiences of multiple generations of immigrants and their descendants.

It will run Jan. 20 through April 22.

Visual storytelling submissions from Brian Cohen, Scott Goldsmith, Nate Guidry, Lynn Johnson and O'Neill explore the central role immigration plays in forming America's identity, in sustaining its economy, and in enriching its cultural diversity.

The effort to create what a release describes as space "for civil, constructive conversation about belonging and cultural heritage today" is being mounted as the nation is undergoing a sometimes divisive discussion regarding who may enter and/or reside in America.

What began as a larger project of Pittsburgh-based The Documentary Works, a group of professional photographers documenting social and environmental issues, led to the planned exhibition.

It explores leaving one's homeland (emigration), coming to a new country (immigration), and the process of moving (migration), and how each adds to the nation's story.

O'Neill has participated in other The Documentary Works projects with founder Cohen, who is both a co-curator and contributor for the exhibit.

"I love portraiture. I came up with the idea that I wanted to photograph someone who has been here a long time and somebody new. ... They have different perspectives on emigrating to the U.S.," the North Side resident says.

"They all have something in common. I felt, let's give them something to talk about," O'Neill says.

Many of the people she photographed speak at least some English. Others speak in their native tongue and one will translate for her, she says.

Among her subjects are a woman who has been in the country for 25 years and her mother, who just arrived.

"(Emigration) is much harder than people think. People do it for different reasons — for education, better opportunities. Lots of times it's for love," she says.

One young man from Syria, Fayz Gramh, is paired with Saleem Ghubril, who is Lebanese and head of the Pittsburgh Promise.

In America for only one year, Gramh is supporting four family members, working two jobs, has learned to drive and is speaking English, O'Neill says.

"He told me, 'My dream is to free the world.' ... He's only 21 or 22," she says.

One of her recent matches was a young woman who arrived in Pittsburgh decades ago from Pakistan and a woman newly in Pittsburgh from Japan.

"The Pakistani woman has an incredible story. She had an arranged marriage. Her husband was a physician," O'Neill says.

Soon after his wife's arrival, he went to work and left her alone in their apartment. A neighbor heard her crying and knocked on her door, befriending her.

"She told me, 'She pretty much became my Pittsburgh mother,' " O'Neill says.

The woman shared that story with the woman from Japan, whose husband was in a master's program. She had left behind her job, but he had a built-in community of friends.

"The Japanese woman said, 'I feel like I found my Pittsburgh mother,' " O'Neill says.

Making the unfamiliar home

"It's a collaborative project. ... It's gathering together a group of photographers, writers, curators who are interested in the topic and who would like to have something to say about that subject," Cohen says of the exhibit.

His own contributions highlight buildings that served new arrivals as groceries, houses of worship or social clubs.

Many of the photographs Cohen, 57, of Squirrel Hill shot are of buildings in towns and valleys throughout Western Pennsylvania, including Pittsburgh, Greensburg, Aliquippa and New Kensington.

"Each one in its own way represents a little piece of that community," he says.

"After a while, the buildings seem to take on personalities of their own. They do speak in all sorts of ways," Cohen says.

Many buildings going back three or four generations were built by and for people who made the decision to leave their home countries. Cohen sees in those structures reminders of challenges and difficulties not unlike those many new arrivals find, he says.

Still visible names sometimes include both a nod to a homeland and to America, Cohen says, depicting the desire to both hold on to "being from somewhere else" while demonstrating one's "right to be here."

"Little things like that can be so informative," he says.

Cohen says the intention is for the exhibit to move on to other cities, with each hosting institution determining appropriate accompanying programming.

Community partners include the American Jewish Museum, City of Asylum, Repair the World and the Union Project.

Coming to America

Judith H. O'Toole, the Richard M. Scaife Director at The Westmoreland, had met Cohen and was aware of some of The Documentary Works' earlier projects, says Barbara Jones, museum chief curator.

"We thought (the immigration project) was a timely subject and an important subject for us to take on," she says.

The contemporary photography fit well with her plan to focus on contemporary art work annually in the museum's new cantilever area.

"(Cohen) came out and met with me. I saw the beautiful photographs from previous projects. He had the five photographers lined up. ... We knew who they were but we didn't know what the end product would be," she says.

The exhibit includes a large map representing where the featured subjects came from and how they converged on Pittsburgh, along with a video from Carnegie Mellon University's CREATE Lab that focuses on the causes of international migration, Jones says.

Joan McGarry, The Westmoreland's director of education and visitor services, worked with Cohen on related programming.

Jones says she hopes that visitors take away an appreciation for the photographers' work, a positive impression of what immigration has done for this region, and a sense of what "those three words — emigration, immigration and migration" mean.

"This has been our mantra — we all come from somewhere," says co-curator Laura Domencic. "Looking at individual stories helps deconstruct abstract ideas and bring in some clarity.

"(The exhibit) is very celebratory. What I love about the project is it does give a larger context and larger sense of history. ... People have been moving forever. It's part of what we do. ... I think there is a certain universality in some of these experiences," Domencic says.

She believes one of the most important elements of the show is the essays in a companion book by WESA-FM journalists Erika Beras and Reid Frazier.

Beras' interviews are with African-American Pittsburgh residents who found their way to the city during the Great Migration more than 50 years ago, while Frazier looks at the experiences of immigrants who find their welcome tempered by fears and prejudices they encounter.

Mary Pickels is a Tribune-Review staff writer. Reach her at 724-836-5401 or mpickels@tribweb.com or via Twitter @MaryPickels.

TribLIVE commenting policy

You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.

We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.

While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.

We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers

We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.

We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.

We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.

We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.

click me