A rejuvenated Hozier back on the road with stop at Benedum Center | TribLIVE.com
Music

A rejuvenated Hozier back on the road with stop at Benedum Center

1166924_web1_gtr-TK-hozier-02-052319
AP
Hozier performs on day one of the Austin City Limits Music Festival in Austin, Texas. He brings his “Wasteland, Baby” Tour to Pittsburgh’s Benedum Center May 26. The 8 p.m. show is sold out.
1166924_web1_gtr-TK-hozier-01-052319

Even if Hozier’s newly released second album, “Wasteland! Baby,” fails to come close to having the success of his debut effort, the Irish singer/songwriter will always have at least one memory that will make the new album stand out over time.

That experience came in recording the lead track and first single “Nina Cried Power,” when Hozier got to work in the studio with gospel/soul great Mavis Staples and legendary keyboardist Booker T. Jones. The song pays homage to artists – Staples being a prime example — who stood up for civil rights, both in their music and their work for the cause.

“It was an absolute honor having Mavis, the fact that she was up for being part of that song and she knew where it was coming from,” Hozier said in a recent phone interview. “She’s a super important artist and just a total hero. That song was written about artists like her. She totally embodies what that song is about. And then Booker T, the first band I was ever in at 14 or 15, I joined a group of kind of older kids. We were covering Stax (Records songs played by) Booker T & the MGs. Being able to tell him that (was special), that his music is one of the reasons I became a musician and have continued with it.”

He plays a sold-out show May 26 in Pittsburgh’s Benedum Center.

Hozier began his solo career about seven years ago when he landed a development deal with Universal Ireland Records followed by a record deal in early 2013 with Rubyworks Records.

At the time, some early attempts to demo his songs with a few different producers had fallen short. So he decided to try his hand a producing in hopes he would realize his vision for his music.

The song that changed everything

One of his early songs was called “Take Me To Church.” It was when he tackled that song – at first on his own and then later with producer Robert Kirwan (known for his work with U2 and PJ Harvey) – that a grittier sound, rooted in blues, jazz, soul and gospel, started to come together.

That song, of course, would entirely change Hozier’s career trajectory.

The video for “Take Me To Church” was posted on YouTube on Sept. 25, 2013, and almost immediately went viral. The YouTube activity got the attention of bigger worldwide labels, and Hozier was signed by Columbia Records in America, which released Hozier’s self-titled debut album in September 2014.

“Take Me To Church,” naturally enough, became the album’s lead single, reaching No. 2 on “Billboard” magazine’s all-genre Hot 100 singles chart and earning a Grammy nomination for Song of the Year along the way.

By the time touring behind the debut album wrapped up in late 2016, the album had gone double platinum and Hozier was a bona fide star. He was also exhausted from the lengthy touring cycle.

Coming off of the road, Hozier returned to Ireland and unplugged. But as 2017 moved on, Hozier began writing and a direction for the “Wasteland! Baby” album emerged.

“It was kind of an intention of writing from an honest place and also trying to reconcile some of the worries and concerns and anxieties I had over what was just a real interesting time to be alive and a weird time to be alive, just for geo-politics, both at home and abroad, etc. and (with) the two minutes to midnight on the doomsday clock, all that type of stuff,” Hozier says.

Topical element

Nowhere is the topical element of “Wasteland, Baby!” more apparent than on the title track, which touches on, among other things, fears of global warming and nuclear disasters. There are other tunes with a social thread (“Be” and “No Plan”), but Hozier covers other ground as well, paying tribute to jazz greats in the context of sweet love on “Almost (Sweet Music),” getting sensual on “Movement,” and on “Shrike” he sings of love that overcomes the reality that some emotional bruises will be inflicted along the way.

Musically, Hozier retains much of the stylistic blueprint from his debut album, but many of the songs (“Nina Cried Power,” “Movement” and “No Plan”) groove and rock a bit harder, which is what Hozier intended for “Wasteland! Baby,” which debuted at No. 1 on the “Billboard” magazine album chart.

Hozier should have no problems bringing the more assertive sound of much of “Wasteland! Baby” to life on stage.

He’s touring with an eight-person band that can generate plenty of sound. The new songs, Hozier says, also lend themselves to live performance.

“It’s going to be fun,” he says of the show. “I think when writing a lot of these songs…I spent so long on the road (that) I think a lot of the arrangements, the playing of them, was taken into consideration.”

Categories: AandE | Music
TribLIVE commenting policy

You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.

We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.

While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.

We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers

We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.

We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.

We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.

We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.