At 71, Alice Cooper refuses to burn out — let alone fade away |

At 71, Alice Cooper refuses to burn out — let alone fade away

Rob Fenn
Alice Cooper takes to the KeyBank Pavilion stage July 19.
Amy Harris/Invision/AP
Halestorm is co-headlining a summer tour with Alice Cooper, with a July 19 date at KeyBank Pavilion in Burgettstown. Here, Joe Hottinger (left) and Lzzy Hale of Halestorm perform at the Sonic Temple Art and Music Festival on May 17 in Columbus, Ohio.

Alice Cooper is 71 years old. And while there are those who may cling to the idea that it’s better to burn out than to fade away, the man born Vincent Damon Furnier has no intention of doing that.

He recently released a live album, “A Paranormal Evening at the Olympia Paris,” and is out on the road regaling his fan base with a combination of theatricality and hard-rocking music that set the tone for everyone from David Bowie to Guns N’ Roses.

The double-CD set features plenty of classics including “Under My Wheels,” “Billion Dollar Babies,” “I’m Eighteen,” “Only Women Bleed” and “School’s Out,” all delivered by Cooper’s current band that includes guitarist Nita Strauss and drummer Glen Sobel.

It’s quite a different experience from when Cooper released his first live album in the late 1970s.

Cooper will come to KeyBank Pavilion in Burgettstown for a show at 7 p.m. July 19. Joining the “Godfather of Shock Rock” will be tour co-headliners Halestorm, a rock band originating from Red Lion, York County.

A ‘wow’ moment

“I’m very critical about how we sound on stage,” Cooper said in a recent phone interview. “I’ve had so many different bands and everybody is sort of hand-picked. I’m always really nervous about live albums. This one kills me, it’s so good. I listened to the whole thing with my mouth open going, ‘Wow.’

“I called Bob Ezrin and asked if he mixed it. He said yeah and I said I could hear every single thing on the album. And the energy on it is like the show. The energy is so up on the album.

“I hate our first live album, the one from Vegas (1977’s “The Alice Cooper Show”). It was a very bad time,” he said. “It was the end of that tour and I was really ready to go into the hospital with alcoholism. It was a really dark place for me,” Cooper says. “That band on that first album was amazing because I had Steve Hunter and Dick Wagner. It was just the time period and I don’t think my performance in it was any good. I was tired after two years of touring.

“If we had done the album in the middle of the tour, there would have been a lot more energy in it,” he says.

No slowing down

Clean and sober for roughly four decades, Cooper has shown no signs of slowing down. His superstar side group with Aerosmith’s Joe Perry and Johnny Depp, the Hollywood Vampires, just released its second album, “Rise.”

He is touring this summer and fall, and has new music on the way.

Then there was his portrayal of King Herod in NBC’s live performance of Andrew Lloyd Weber’s “Jesus Christ Superstar” that aired on Easter Sunday 2018. It was a part he was delighted to play and customize, particularly after chatting about it with longtime friend and the musical’s lyricist, Tim Rice.

“I’ve known Tim Rice for a long time and he said that he wanted to redo the original cast album and redo the Herod song especially. He said that he needed me to give it more venom. He thought it needed the Herod character to be more dangerous. Because in the Bible he was one of the worst guys ever,” Cooper explained.

“But they always played him as sort of a roly-poly idiot. I said that we should play him like Alan Rickman and make him really stink of arrogance, be condescending and so self-absorbed that he’ll think this whole musical is about him,” Cooper said. “Right before the show during rehearsal, (Tim) said as close as it is to a rock concert, the better it’s going to be. To me, I was the only one up there that this felt very natural to.

“I had the song, the lyrics and the stage, and I do this every night. It was just a different song with a different prop, that’s all,” he said.

‘What was that?’

As someone whose earliest musical memory can be traced to an uncle who owned an illegal pool hall in Detroit and turned a 6-year-old Furnier on to rock and roll by way of a Chuck Berry 45 of “School Days,” hearing the Beatles in the early 1960s proved to be the tipping point for Cooper becoming an entertainer.

“I was basically painting a house in the summer of 1963 or 1964. The radio was always on Top 40 because then we were (listening to) The Beach Boys and the Four Seasons,” he recalled. “All of a sudden I heard, ‘She Loves You’ by the Beatles and I stopped in my tracks and said, ‘What was that?’

“I’d never heard of the Beatles. I had no idea that they had long hair or they were from England. All I knew was that this song was really exciting,” he said. “And then about an hour later, I heard ‘Please, Please Me’ and then another hour later I heard, ‘I Want to Hold Your Hand.’ I couldn’t understand what the hell was going on and I wanted to know who these guys were.

“Then I saw a picture of them and saw the reaction to them and I immediately knew I had to do this,” Cooper said. “I found guys at Cortez High School — my best friends in fact — all on the track and cross country team. That summer, one learned to play bass, one learned to play drums and I started to be the singer. By the next year, we were doing parties, playing four or five songs and never expecting to get into the Rock and Roll Hall of Fame.”

Elixir of youth

For the foreseeable future, the Michigan native is confident that rock and roll will continue to be his elixir of youth.

“I think I picked the right music, because hard rock has always been the one music that will not go away,” Cooper said. “There are kids in a garage right now learning Kinks songs, which I think is great. It’s too much fun to play this kind of music.

“I’m surprised at 70 that I never get tired of that Pete Townshend power chord. To me, that is what it’s all about.”

Categories: AandE | Music
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